Fifteen-year old John Cleaver is dangerous, and he knows it. He’s obsessed with serial killers, but really doesn’t want to become one. Terrible impulses constantly tempt him, so for his own sake, and the safety of those around, he lives by rigid rules to keep himself “good” and “normal”. However, when a real monster shows up in his town he has to let his dark side out in order to stop it – but without his rules to keep him in check, he might be more dangerous than the monster he’s trying to kill.
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Nikolaï was abandoned at birth and has been in foster care ever since. Although a family would like to give the sixteen-year-old boy a home, he decides to make one himself. He meets Camille, an intriguing fifteen-year-old wiseacre, and tries to convince her to make a child together. Nikolaï is convinced that he can handle any problem and wants to avoid at all costs that an adult thwarts his plans. Camille and Nikolaï flee together from the home and isolate themselves in the woods. In the heart of this gloomy, mysterious forest, Nikolaï will have to face his first feelings and learn to become a man. Soon, he feels that there are many things he cannot control.
In 1934 Diego Padilla wins the Spanish Championship of Chess and meets a French journalist, Marianne Latour, and they fall in love. At the end of the Civil War, Marianne convinces Diego to live in France with their daughter, where shortly afterwards Diego will be accused of spying by the Nazis and imprisoned in an SS prison. In prison, Diego will try to survive in a hostile environment thanks to Colonel Maier’s passion for chess.
When Amanda discovers that her estranged, abusive father needs a transplant to save his life, and she is the only match, she is forced to confront her painful past and make the decision that will decide her future.
In tiny Colewell, Pennsylvania, the residents gather at the post office for mail and gossip, while the days pass quiet and serene. That is until news comes that the office is to close, and beloved clerk Nora (a marvelous Karen Allen) is left to fight for her job and reflect on the choices she has made that kept her in Colewell for so many years. Touching, with a hint of melancholy, Tom Quinn’s eloquent film is an ode to small-town life and the quiet emotions that come with nostalgia and memories of the past. As fears arise around her future and her past becomes ever more present, Nora states, “I don’t want to be lonely,” but what that means is elusive. Colewell gorgeously captures rural America, while giving space to the beauty of time passing and reflecting on what determines a life well lived.
Having just been fired and dumped by his wife, life couldn’t possibly be worse for independent artist GORDON HAUGE (Mark Redfield)–until he wrecks his car and finds himself in purgatory that is. Once there, he is attacked by fanatic Shadowmen and legions of Ragmen–souls being enslaved and bent to some dark purpose. Gordon is rescued by an eccentric band of freedom fighters, people from different times of history who lost their lives in noble sacrifice. They recruit the reluctant and befuddled Gordon and set off on a wild adventure through the surreal landscapes of purgatory to battle the Despiser–an evil being who now reigns in this seemingly God-abandoned halfway house north of hell and south of heaven. Dealing with shifting reality, annoying monsters, armies of Ragmen and hair-raising car chases across bridges spanning oceans of lava our heroes battle their way to the dark macabre fortress of the Despiser. Written by Philip Cook [email protected]
Emerson Graham’s nights as a cab driver are filled with annoyances and inconveniences, but until tonight, never attacks and disappearances. After picking up a mysterious passenger her evening goes from working a job to performing a quest as they must race against the clock to defeat a force of evil. The meter is running.
A mysterious stranger works outside the law and keeps his objectives hidden, trusting no one. While his demeanor is paradoxically focused and dreamlike all at once, he embarks on a journey that not only takes him across Spain, but also through his own consciousness.
