After best friends Black and Blue’s restaurant is shut down, Black needs to find some cash — fast. He thinks his luck has turned when Blue’s son, Fatboy, and his best friend, Spyda,, bring him a stash of stolen cellphones, and Black decides to sell them on the streets. There’s only one problem: The boxes with the phones also contain the Colombian cartel’s stash of Molly, which Spyda decides to sell.
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Surly, a curmudgeon, independent squirrel is banished from his park and forced to survive in the city. Lucky for him, he stumbles on the one thing that may be able to save his life, and the rest of park community, as they gear up for winter – Maury’s Nut Store.
A night like any other in the streets of Hong Kong: in the midst of the tangle of night-owls, cars and vendors, a group of passengers climbs aboard a minibus that is to take them from Mongkok to Tai Po. The group is as diverse as the city: there’s a young man on drugs, an arguing couple, a woman with prayer beads and a girl who has just fallen in love. And behind the wheel sits the chatty driver. But as the bus emerges from a tunnel, everything is suddenly quite still: the streets and buildings are all empty and there’s not a soul to be seen; it’s as if everyone has suddenly been swallowed by the earth. Only the millions of neon lights continue to blink, as if nothing has happened. The eclectic group of passengers seek refuge in a deserted café and discuss what they should do. Then they make an horrific discovery…
Ann is consumed by the fantasy of finding true love. Just when she thinks she’s found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.
An advocate of sex, but not of marriage, bachelor Daegyu (played by singer-turned-actor Im Changjeon), 26, produces bootleg music albums for a living. One day, he comes across a plucky, nine-year-old boy named Jeon Ingwon (played by Lee Inseong) who insists that he is Daegyu’s son born out of wedlock. Daegyu tries every possible means to send the bold boy back to where he came from, including reporting him to the police, deserting him on the street and even pretending not to have known him, but to no avail. Ingwon makes an offer to Daegyu: he will leave him forever if they first travel across the country together. During the journey, Daegyu comes to learn Ingwon’s secret and finds a reason not to continue their cross-land journey.
Frank Drebin is persuaded out of retirement to go undercover in a state prison. There he is to find out what top terrorist, Rocco, has planned for when he escapes. Frank’s wife, Jane, is desperate for a baby.. this adds to Frank’s problems. A host of celebrities at the Academy awards ceremony are humiliated by Frank as he blunders his way trying to foil Rocco.
Failing cosmetics magnate Sally Fay (Traci Lords) will stop at nothing to possess the waters of the Steam Room to help lift her sagging empire. What she doesn’t count on is the Steam Room Guys banding together to thwart her evil plans.
Taking place in 1955 in Italy, “Castello Cavalcanti” follows Jason Schwartzman as race car driver Jed Cavalcanti who suffers a mishap during the Motle Miglia rally and finds himself in a small town with a few familial surprises.
Three World War II buddies promise to meet at a specified place and time 10 years after the war. They keep their word only to discover how far apart they’ve grown. But the reunion sparks memories of youthful dreams that haven’t been fulfilled — and slowly, the three men reevaluate their lives and try to find a way to renew their friendship.
Sex is a background to examine intimacy and vulnerability. Looks at the complexity of modern day relationships told through eight separate couples. Through dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between seeing humor within the drama, heartache and confusion of it all.