The standup sensation tackle’s TV’s “Shark Tank,” what it means to be a woman and how to deal with the lawless party goblin that lives in us all.
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Based on the extraordinary true story of the European city’s 1973 bank heist and hostage crisis that was documented in the 1974 New Yorker article “The Bank Drama” by Daniel Lang. The events grasped the world’s attention when the hostages bonded with their captors and turned against the authorities, giving rise to the psychological phenomenon known as “Stockholm Syndrome.”
A hapless hunchback who only yearns for love, finds himself in the middle of a murderous feud between the Pope and the King of France when each orders the hunchback to kill the other.
After a string of life-changing revelations, a beloved parking attendant pieces a new plan together and chases her dream of traveling the world.
This film explores the daily lives of two aging, eccentric relatives of Jackie Kennedy Onassis. Edie Bouvier Beale and her mother, Edith, are the sole inhabitants of a Long Island estate. During the course of the documentary, they discuss their habits, desires and former loves with filmmakers Albert and David Maysles. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.
Aged, embittered widower, Fred learns to enjoy life thanks to his elderly yet vibrant neighbor, Elsa. Upon learning Elsa is terminally ill, Fred takes her to the Fontana di Trevi in Rome in order to reenact her favorite scene from ‘La Dolce Vita’.
Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like “Machete” and “Hobo with a Shotgun”, HOLY HELL is a modern take on 60’s and 70’s B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.
The Man In The Hat sets off from Marseilles in a small Fiat 500. On the seat beside him is a framed photograph of an unknown woman. Behind him is a 2CV into which is squeezed Five Bald Men. Why are they chasing him? And how can he shake them off? As he travels North through France, he encounters razeteurs, women with stories to tell, bullfights, plenty of delicious food, a damp man, mechanics, nuns, a convention of Chrystallographers and much more, coming face to face with the vivid eccentricities of an old country.
A story within a story within a story. In Australia’s Northern Territory, an Aboriginal narrator tells a story about his ancestors on a goose hunt. A youngster on the hunt is being tempted to adultery with his elder brother’s wife, so an elder tells him a story from the mythical past about how evil can slip in and cause havoc unless prevented by virtue according to customary tribal law.
Javi, a perfectly ordinary teenager who doesn’t suspect that his crush on Sara might be reciprocated. Through a string of misunderstandings, Sara comes to believe that Javi is in possession of supernatural powers.
Love By Chance is a film about two aspiring actors from South Africa (Altovise Lawrence and Atandwa Kani) who are independently in America, trying to crack into an extremely difficult and over saturated Hollywood industry. They meet by chance, but between the everyday struggle of auditioning, dealing with daily rejection, self-doubt, financial hardship, crazy friends and a mad dating scene, who has time for love?