Argentine film about the experiences of conscripts in the Falklands War.
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A straight-laced pharmacist’s uneventful life spirals out of control when he starts an affair with a trophy wife customer who takes him on a joyride involving sex, drugs and possibly murder.
Maarit Lalli film a woman who knew how to say yes, and the man who could not say no. Ricky Kalin (Antti Luusuaniemi) is a real estate agent who loves women. Annika Lahti (Pihla Viitala) is a private, not so very good one at that. Annika specializes in the detection of complex relationships, to put it nicely. Ricky is a great salesman, who has two calendars – Work calendar and the calendar for women. An assignment Annika collides with the real estate agent Stand. The apartment does not display unnecessary procrastination: Annika just wants to have sex without feelings. Ricky, this is just fine. Relationship with works by mutual cooperation and assistance agreement – until it becomes famous for the sixth time. “There is hardly anything we love to look at, either.”
After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.
It tells the story of Saro, a man seeking for greener pasture, but unfolding events and his affair with the king’s wife, he encounters his untimely death and with Akala, a mystical bird believed to give and take life.
A traumatized Vietnam war veteran finds out that his post-war life isn’t what he believes it to be when he’s attacked by horned creatures in the subway and his dead son comes to visit him…
Based on a true story of serial killer a model citizen, loving father and husband and serial killer John Wayne Gacy, a man with over 30 dead men and boys entombed in the crawl space underneath his house which he shared with his family.
As a result of a traffic accident involving a violation of the centerline, the perpetrator dies, and the victim falls into a coma. After some time, the wife of the perpetrator, Heejoo, returns. Heejoo is bewildered at the fact that the victim’s wife Youngnam is also working at the factory where she goes to work. By accident, Heejoo becomes close with Youngnam’s daughter Eunyoung and learns a new fact about the incident. The true nature of this accident, where Heejoo’s husband was known to have crossed over the centerline, is actually very complicated. Since the social issues of dispatched labor and industrial accidents and personal issues of depression and family trouble are intertwined here, it is more difficult to apprehend.
Ten years after witnessing her older sister’s brutal murder, Jenny Traylor leaves her hometown in North Carolina to start her freshman year at the University of New York City. Still traumatized by her sister’s death and struggling with crippling agoraphobia, Jenny tries to cope with the overwhelming city and figure out her new life.
