Incarcerating US exposes the US prison problem and explores ways to unshackle the Land of the Free.
You May Also Like
Follow Alex Honnold as he attempts to become the first person to ever free solo climb Yosemite’s 3,000 foot high El Capitan wall. With no ropes or safety gear, this would arguably be the greatest feat in rock climbing history.
This is by far the most definitive feature documentary of George Michael’s amazing life, told candidly by fellow musicians and other friends who loved and respected him
Elena, a young Brazilian woman, travels to New York with the same dream as her mother, to become a movie actress. She leaves behind her childhood spent in hiding during the years of the military dictatorship. She also leaves Petra, her seven year old sister. Two decades later, Petra also becomes an actress and goes to New York in search of Elena. She only has a few clues about her: home movies, newspaper clippings, a diary and letters. At any moment Petra hopes to find Elena walking in the streets in a silk blouse. Gradually, the features of the two sisters are confused; we no longer know one from the other. When Petra finally finds Elena in an unexpected place, she has to learn to let her go.
Nathan Pelle takes viewers on a captivating journey through Ghana’s capital, Accra; known for its rich history, bustling markets, colorful traditions and evolving urban landscape, Accra blends the old with the new.
An in-depth look at the dramatic highs and lows of an artist chasing music’s top spot while tackling noise from the outside world, stardom, fatherhood and more. From creating his platinum-selling, Billboard No. 1 album “Tickets to My Downfall,” to his most recent No. 1 studio album, “Mainstream Sellout,” this is an all-access pass, that goes beyond the headlines, into the chaotic world of Machine Gun Kelly.
Divine Madness is a 1980 concert film directed by Michael Ritchie, and featuring Bette Midler during her 1979 concert at Pasadena’s Civic Auditorium. The 94-minute film features Midler’s stand-up comedy routines as well as 16 songs, including “Big Noise From Winnetka,” “Paradise,” “Shiver Me Timbers,” “Fire Down Below,” “Stay With Me,” “My Mother’s Eyes,” “Chapel of Love/Boogie Woogie Bugle Boy,” “Do You Want to Dance,” “You Can’t Always Get What You Want/I Shall Be Released”, “The E-Street Shuffle/Summer (The First Time)/”Leader of the Pack” and “The Rose”.
The feature documentary follows women of all walks of life, all ages and ethnic backgrounds, as they shed trauma, body image shame, sexual abuse and other issues locked in their bodies, and embark on a journey to reclaim themselves. The film also gives a rare window into the world of Pole artistry and expression.
What if you were a Hollywood movie star with an obsession for cars and racing? Eric Bana is such a star!
Eight years ago, Mads Brügger and Mikael Bertelsen tried to solve the murder of an EU official in 1993. A project that concluded in a dead end. Hoping to make good for their old defeat, the two journalists decide to investigate a complex case about the former EU Health Commissioner, John Dalli, who was fired under suspicion of being in the pocket of the tobacco industry. Brügger and Bertelsen travel to Malta to meet Dalli, who comes across as quite likeable. And it does not take long before they uncover an extensive conspiracy against him, when Dalli is suddenly contacted by a secret source who claims to be in possession of documents and recordings that contain plans to kill him.
Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.
Ësáasi Eweera, one of the last kings of the Bubi people of Equatorial Guinea and a threat to Spanish colonial rule, died in suspicious circumstances. A century later, the case is reopened: a formalist detective story and an indictment of colonialism.
Starting in 1988, a fierce battle raged between the two neighbouring states of Armenia and Azerbaijan (until 1991 part of the Soviet Union) over Nagorno-Karabakh. In 1994, an armistice gave control of Karabakh and the Azeri territory in-between to Armenia. Director Vadan Hovhannisyan shows the footage he shot as an independent war reporter on the front 12 years ago. He runs across the battlefield with a shaky camera, under a fierce shower of bullets. Scrawny soldiers with sunken eyes spend their days smoking, waiting and taking cover in trenches. Fallen comrades are carried down forest paths. Then, Hovhannisyan revisits the soldiers now, bringing prints of stills and frontline footage on his laptop. Although they have put on some weight, many of them are “victims of the peace,” as Hovhannisyan calls it in his voice-over.