An African American woman has an encounter with a white police officer that leaves him dead. The world watches a media circus real-time hunt for her and the truth.
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A grumpy old sailor wants only to finish building his boat so he can set out to sea. But from local officals to troubled fosters kid, the world keeps intervening to test his determination to make something of his golden years.
Henry Poole abandons his fiancée and family business to spend what he believes are his remaining days alone. The discovery of a ‘miracle’ by a nosy neighbor ruptures his solitude and restores his faith in life.
The Whales of August is a 1987 film based on a play by David Berry starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The film was shot on location on Maine’s Cliff Island. The house still stands and is a popular subject of artists on the island. The film was directed by Lindsay Anderson, his final feature film, and the screenplay was adapted by David Berry from his own play.
A widower haunted by the distressed ghost of his recently deceased wife is visited in his dreams by a psychopomp who teaches him about the spirit world and soul guiding through stories of death and the supernatural.
A man just released from a mental institution gets involved in a gold mine scheme while trying to avoid the cops, a wrathful drug dealer, and a sultry femme fatale.
Fifteen-year old John Cleaver is dangerous, and he knows it. He’s obsessed with serial killers, but really doesn’t want to become one. Terrible impulses constantly tempt him, so for his own sake, and the safety of those around, he lives by rigid rules to keep himself “good” and “normal”. However, when a real monster shows up in his town he has to let his dark side out in order to stop it – but without his rules to keep him in check, he might be more dangerous than the monster he’s trying to kill.
After he is threatened during a confession, a good-natured priest must battle the dark forces closing in around him.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
