John Mellencamp tells his story & performs live in Chicago.
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Molly (Martha O’Driscoll), her brother, Slats (Abbott), and his pal, Oliver (Costello), are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby’s progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school’s mortgage if Molly isn’t expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.
Emily Lindstrom, 14, is an aspiring concert violinist; she’s spending the summer practicing for a big audition while her girlfriends are at camp. She’s also got a thriving neighborhood business: for 50 cents, she’ll keep your secret. Her mother is very pregnant, and her parents seem more concerned about the new baby than anything Emily cares about. A new family moves in next door; their son, Philip, 12, becomes Emily’s friend. Eventually, the weight of Emily’s secrets – her own, the ones she’s keeping professionally, and a secret Philip tells her, send her life temporarily crashing down.
Trumpet player Roy Allen starts anew as a music teacher in a school full of kids with little exposure to music. Roy connects with a talented virtuoso in need of a father figure. Through the journey of launching a school band and learning to reach kids on their own terms, Nate reconnects with his own estranged son, becoming the father he always wanted to be.
The late director Sydney Pollack’s behind-the-scenes documentary about the recording of Aretha Franklin’s best-selling album Amazing Grace finally sees the light of day more than four decades after the original footage was shot.
A documentary film about session and touring musicians that are hired by well establish and famous bands and artists. These people may not be household names, but are still top notch performers!
“Mr Mojo Risin’” is the story of the making of the Doors’ last album with Jim Morrison “L.A. Woman”. 2011 is the 40th anniversary both of the album’s release and of the death of Jim Morrison and this programme goes into detail of how the album came about, its recording and what was happening to the band at the time. The story is told through new interviews with the three surviving Doors: Ray Manzarek, Robbie Krieger and John Densmore plus contributions from Jac Holzman, founder of their label Elektra Records, Bill Siddons, who was their manager, Bruce Botnick, engineer and co-producer of the album and others associated with the Doors at this time. The show includes archive footage of the Doors performing both live and in the studio, classic photographs and new musical demonstrations from the Doors.
In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it’s just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life’s purpose.
When Joy Pride, a groovy 70s burn-out on the caboose of the flower power movement learns she has weeks to live, her estranged children come together to do right by a mother who always did them wrong. It’s based on the premise that no matter who dies, we always find a way to make it all about us.
In the city of 9 Million people everyone is engulfed in the everyday rat race chasing that almighty dollar. This movie tells the story of one of its own ‘Carter Blanche’. Carter has staked his claim to the American dream. But history teaches us that behind every wealthy empire is a major crime; and Carter’s rise to power is no exception. Trying to go legit, he is faced with deception, betrayal, and self serving agendas from those closest to him and must maneuver his way through all those who want to crumble what he has built. As he determines who’s friend or foe. The decisions Carter makes can, and will cost lives.
In the early 1960’s, a quintet of hopeful, young African-American men form an amateur vocal group called The Five Heartbeats. After an initially rocky start, the group improves, turns pro, and rises to become a top flight music sensation. Along the way, however, the guys learn many hard lessons about the reality of the music industry.