Tsuchida works at a host club in secret to support her live-in boyfriend Seiichi, in order to fulfill his dream of becoming a musician. Seiichi is unemployed and falls into a slump, unable to write any songs. However, when Seiichi learns that Tsuchida became a mistress of a customer at the host club and that it was how she is earning their living expenses, he changes his mind and decides to find a job. Meanwhile,Tsuchida had an accidental reunion with Hagio, an old lover who she has been unable to forget.
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On a college campus in modern America, ideas that have long been neglected as “issues of the past” emerge as racial tensions and frictions grow between different student groups.
In the aftermath of a traumatic event, a suburban husband and father buys a cutting edge home security system, only to find that it slowly destroys that which he most wants to protect.
Kurt (Til Schweiger) and Lena (Franziska Machens) move together into an old house outside the city that is in need of renovation in order to be closer to Kurt’s six-year-old son, little Kurt (Levi Wolter), and ex-wife Jana (Jasmin Gerat). But before their patchwork family happiness can really begin, little Kurt is killed in an accident – leaving behind three adults who don’t know how to live with this tragic loss.
Someone downloads an app on your phone behind your back. It looks like an augmented reality game, but soon you realize it’s an App that connects you to the world of the dead, which allows you to see the dead through the camera of the phone. On the screen you see a countdown timer starting from 24 hours and before it reaches Zero, you have to download the App to someone else’s phone to earn 24 more hours. And you must do it every single day. What would you do? Would you continue passing this curse and condemning other people?
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“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux
This is the hard and shocking story of life in a British Borstal for young offenders. The brutal regime made no attempt to reform or improve the inmates and actively encouraged a power struggle between the ‘tough’ new inmate and the ‘old hands’. The film was originally made as a BBC play but it was banned before ever being shown.
Pop superstar Adelaide Kay is so fed up with her controlling manager that she sneaks off the tour bus after their latest squabble. Though exhilarated to be free, she finds herself stranded in the freezing cold of a Pennsylvania winter, with no money and no plan. A local family, the Lapps, take her in. They know the true meaning of the season, even if they’re close to losing their dairy farm. No one in the family recognizes Adelaide except Dillon, the oldest son. He figures she’s the ticket to fast cash and plots to snap photos of Adelaide around the farm and sell them to the tabs. What he doesn’t plan, however, is their mutual attraction.
Aaron Davis (Steve Sandvoss) and Christian Markelli (Wes Ramsey) are the two most opposite people in the world. Aaron is a young Elder (or a Mormon missionary) who wants to do his family proud and is quite passionate about his religion and film. Christian is a shallow WeHo waiter/party boy who only looks forward to bedding a new guy every night.
After escaping from a sex trafficking ring, one teenage girl struggles to reconnect with herself and her family. To rescue her helpless friends, she must confront her own fears and help lead the police to her traffickers – at all costs.
