For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.
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A Tokyo businessman (Hiroshi Hada), transferred to L.A, molests a teenage girl on a train. It turns out that the girl is the daughter of a vice cop. But in one of those plot twists that can only occur in the movies, the cop is assigned to find the businessman’s own daughter who has been kidnapped and forced into a teen prostitution ring.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Set in the future where the countries of Earth have established colonies to mine the Moon’s resources. When a new life form is discovered, chaos erupts as various factions race to uncover and exploit its powerful secrets.
The story of Stevie, a construction worker, and his girlfriend, an unemployed pop singer, serves to show the living conditions of the British poor class.
When a strange signal pulsates through all cell phone networks worldwide, it starts a murderous epidemic of epic proportions when users become bloodthirsty creatures, and a group of people in New England are among the survivors to deal with the ensuing chaos after.
Seagal is Nico Toscani, an Italian immigrant, American patriot, ex-CIA agent, aikido specialist, and unorthodox Chicago policeman. He is as committed to his job as he is to his personalized brand of justice: expert and thorough bone-crushing.
When a teen tries to set up a band at his school, his mother who was a big fan of Elvis Presley gets in a wreck he and his band members decides to kidnap Elvis and have him hooked up with his mother.
Dayo Wong stars as top agent Mr. Chan, who suddenly finds himself removed from duties after his partner Wonder Child unintentionally offended a policewoman, Ms. Shek. But when a financial officer goes crazy due to drugs, Mr. Chan is called back in to solve the case, which he accepts even though this means partnering up with Ms. Shek. The two have some ups and downs while working together, eventually leading to romance.
A Los Angeles fashion model falls in love with a female art director during a photo shoot which puts their newfound romance at odds with the model’s photographer boyfriend.
