Timo Stigu Mertala is a celebrated, award-winning adman, and sworn to singlehood. He is a well known figure in the Helsinki nightlife.

Gore specialist H.G. Lewis’ gruesome tale of an artist who becomes a success after using human blood in his paintings.

Dueling high school debate champs who are at odds on just about everything forge ahead with ambitious plans to get into the colleges of their dreams.

Don Knotts and Tim Conway star in The Private Eyes, a 1980 comedy about two bumbling detectives solving a murder. It’s an impressively incompetent affair. Every ancient joke falls with a muffled thud as Knotts and Conway ham their way through the pointless story: The lord and lady of a capacious manor are killed, and the lord’s ghost seems to have returned to knock off the staff one by one. There’

As stated in the opening titles and at the end Freakstars 3000 is supposed to be a commentary on the problems of the non-disabled people. The more I was shocked about how the disabled were depicted in this film the more I started to realize that in every non-disabled TV counterpart of this show (German TV shows like “Popstars” or “Friedmann” or the home shopping channels) its mentally “non-handicapped” participants are treated in a completely identical way: The total prostitution of the mind in front a huge TV audience at the expense of one’s most important gifts one should hang on to: dignity. On the other hand one could completely understand people who are furious about “exploiting” these handicapped persons. But that’s what Schlingensief’s works are all about: shock people and don’t care about those who cannot or will not try to get the message (if there is one).

A recent college graduate and her estranged high school friends return to Lantern’s Lane, the location of an evil urban legend and must fight to survive the night.

A young man struggling for a good life meets a deaf girl from a well-off nearby family, he suddenly sees hope for love, and a better life but only if he can escape the predicament of the streets and the influence of his older sister.

After losing the woman of his dreams, Anderson is convinced he’ll never fall in love again. But at the urging of his best friend, he spontaneously proposes to a dissatisfied waitress named Katie and an innocent dare evolves into the kind of love that both have been looking for all along.

Peter Greenaway’s first fiction feature (after the mock-documentary The Falls) made him immediately famous and was named one of the most original films of the 1980s by British critics. The action is set in the director’s beloved 17th century. Ambitious young artist Mr. Neville (Anthony Higgins) is invited by Mrs. Herbert (Janet Suzman) to make 12 elaborate sketches of her estate. Besides money, the contract includes sexual favors that Mrs. Herbert will offer to the draughtsman in the absence of Mr. Herbert. Entirely confident in his ability to weave a web of intrigues, Mr. Neville eventually becomes a victim of someone else’s elaborate scheme. The film is structured as a sophisticated intellectual puzzle like the ones popular in the 17th century.

A teenager who’s lived a sheltered life because she’s allergic to everything, falls for the boy who moves in next door.

Henry Durand is a young federal agent who is given a difficult assignment: spy on his mother and her boyfriend who is suspected of leading a gang of art thieves.

When a hard-working but uninspired sous chef accidentally discovers her boyfriend is going to propose to her on Christmas Eve, she begins doubting their future together; especially when a handsome maple farmer rescues her from a snowstorm.