A young man is released from prison with a chance to turn his life around. But the streets haven’t changed since he left and the same hate, regret, and fear waits for him on the other side of the wall. Can he ever really be free?
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The lives of an addict, a Luchador, a cartel organ smuggler, and an ex-con collide in this wildly original crime/drama/blacker-than-black comedy/thriller that’s as informed by Mexican subcultures as it is by American cinema.
A child escapes from Poland during World War II and first heads to Greece before coming of age in Canada.
A 13-year-old girl grows up between a boxing ring and the street. Her friends are guys who kill and rob. In the 1990s the whole city hates them, but for Masha they are the best people in the world, who love and protect her. She sings them jazz and dreams of becoming a singer. But one day Masha learns who they actually are and what they have done to her life and family. She matures, leaves the small city for Moscow, trying to break with her past. But one day the past stands directly before her.
An exiled archduke (John Barrymore) tries to renew romance with a former lover (Diana Wynyard) now wed to a psychiatrist (Frank Morgan).
No sooner has 15-year-old Lee Keegan been expelled from his private school than an apocalyptic event wipes out most of the world’s population. With his father dead and mother trapped abroad, Lee is given one instruction: go back to school. But safety and security at St. Mark’s School for Boys is in short supply. Its high walls can’t stop the local parish council from forming a militia and imposing marshal law, while inside the dorms the end of the world is having a dangerous effect on his best friend and his unrequited crush on the school nurse isn’t helping him concentrate on staying alive.
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Ray Kinsella is an Iowa farmer who hears a mysterious voice telling him to turn his cornfield into a baseball diamond. He does, but the voice’s directions don’t stop — even after the spirits of deceased ballplayers turn up to play.
