When a young doctor inherits her uncle’s practice in her small home-town of Love, Alaska, she returns there to find something things are the same; like the town’s annual Love festival, and some things have changed; like her childhood friend Finn who has grown into a handsome, if not troubled, man.
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Based on the literary classic by Thomas Hardy, Far from the Madding Crowd is the story of independent, beautiful and headstrong Bathsheba Everdene, who attracts three very different suitors: Gabriel Oak, a sheep farmer, captivated by her fetching willfulness; Frank Troy, a handsome and reckless Sergeant; and William Boldwood, a prosperous and mature bachelor. This timeless story of Bathsheba’s choices and passions explores the nature of relationships and love – as well as the human ability to overcome hardships through resilience and perseverance.
The story centers on a group of young people who travel back in time when they are in a movie theater just before closing time. They witness deaths during the closing days of Japan’s feudal times and on the battlefront in China before they are sent to Hiroshima just before the Aug. 6, 1945, atomic bombing of the city.
A couple, secretly on the verge of announcing plans to divorce, reluctantly depart for a second honeymoon after their family surprises them with a tropical trip as a gift for their 20th wedding anniversary.
Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.
Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors – another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.
An ambitious law student who hates music needs to make a perfect plan to get hired at the office she interns at – until she meets a charming singer who shakes her life. While she’s living her first love, she needs to face her own past and decide what’s more important: do what she loves or learn to love what she does.
As a young New York couple goes from college romance to marriage and the birth of their first child, the unexpected twists of their journey create reverberations that echo over continents and through lifetimes.
A man and a woman meet in the hospital after their respective partners are involved in a car accident and learn that they’ve been having an affair.
Princes who have been turned into Dwarfs seek the red shoes of a lady in order to break the spell, although it will not be easy.
While planning her first wedding, Annalise is shocked to discover the best man is her ex-boyfriend. Meanwhile, inn owners Olivia and Mick both have secret plans in the works.
When young Buddy falls into Santa’s gift sack on Christmas Eve, he’s transported back to the North Pole and raised as a toy-making elf by Santa’s helpers. But as he grows into adulthood, he can’t shake the nagging feeling that he doesn’t belong. Buddy vows to visit Manhattan and find his real dad, a workaholic publisher.