Ruth travels to a seaside holiday park to stay with her boyfriend Tom. It’s off-season, so the resort is mostly deserted, except for a few residents and a handful of staff charged with sprucing up the place. Ruth gradually settles into her new environment, finding work and making a new friend in the form of make-up enthusiast Jade. But one afternoon, while giving Tom’s caravan a spring clean, Ruth finds evidence her beau might be cheating on her. As her desire to uncover the truth turns into an obsession, she begins to realise she might be looking for something else entirely.
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In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another.
In a broken city rife with injustice, ex-cop Billy Taggart seeks redemption and revenge after being double-crossed and then framed by its most powerful figure, the mayor. Billy’s relentless pursuit of justice, matched only by his streetwise toughness, makes him an unstoppable force – and the mayor’s worst nightmare.
Apart from a few simple houses, a bar, a gas station with a mini supermarket and a garbage dump, there really is nothing in rural Fulton County, Georgia. Introverted Joel works at the garbage dump where he sometimes finds a useful glass bottle or two, which he cleans up and takes home. Then, one day, he receives an unexpected phone call: his ex-wife has disappeared and it is now his responsibility to look after their son. Joel, about to meet his son for the very first time, has no idea how he is going to build a relationship with 10-year-old Will who also seems to live in a world of his own. Luckily for them, Clara, a bright girl from the neighbourhood, is on hand to help, and Will begins to open up to his father. But the youth welfare officer is already banging on the door. Director Jaron Albertin’s directorial debut is a sensitive, slightly melancholic drama about two outsiders who discover a deep understanding of each other.
Eva Braun takes inspiration from the actual sex scandals in the Italian Parliament and the 120 Days of Sodoma by Marquis De Sade. This mix create a grotesque journey through power, sex and will of people who does everything to be successful. Pier is a powerful and important Mogul who keeps the power in his country. Elegant, ironical and well educated, he has a bizarre sexual instinct which is satisfied by her mistress, Romy, who collect people, men and women (musicians, directors, writers and businessmen) which agree to satisfy his weird fantasies for getting his help to the way to success. Like a Decameron, a group of people in a house meet their pride and greed for power and sex.
Set in the late 1920s, The Age of Shadows follows the cat-and-mouse game that unfolds between a group of resistance fighters trying to bring in explosives from Shanghai to destroy key Japanese facilities in Seoul, and Japanese agents trying to stop them.
When down-on-his-luck part-time high school wrestling coach Mike agrees to become legal guardian to an elderly man, his ward’s troubled grandson turns out to be a star grappler, sparking dreams of a big win — until the boy’s mother retrieves him.
An hour before the five best Dutch dance crews fly to a contest in New York, the subsidized trip is cancelled. Five dancers from totally different crews don’t want to give up their free plane ticket and go anyway. In New York they realize what they’ve done. They have no money, no plan and no crew. But… They came to dance so there is only one thing to do. Together they form a new crew and do everything they can to enter the contest they came for. In the mean time… they have to survive two weeks in New York without any cash. Written by Tijs van Marle