A Jewish-American Princess is forced to take control of a hard-core hip-hop record label and tries to rein the one of the label’s most controversial rappers.
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Finding love is never easy. For Ravi Patel, a first generation Indian-American, the odds are slim. His ideal bride is beautiful, smart, funny, family-oriented, kind and—in keeping with tradition—Indian (though hopefully raised in the US). Oh, and her last name should be Patel because in India, Patels usually marry other Patels. And so at 30, Ravi decides to break up with his American girlfriend (the one who by all accounts is perfect for him except for her red hair and American name) and embark on a worldwide search for another Patel longing to be loved. He enlists the help of his matchmaker mother, attends a convention of Patels living in the US and travels to wedding season in India. Witty, honest and heartfelt, this comedy explores the questions with which we all struggle: What is love? What is happiness? And how in the world do we go about finding them?
When a boy’s video to a female star goes viral, it scores him a date with his celebrity crush to the prom. Complications arise when the famous starlet falls for the boy’s small-town teacher.
Tortoise in Love is a feel-good romantic comedy in the tradition of Local Hero, Calendar Girls and The Full Monty. It’s about an incredibly slow mover in love and the village that tries to speed him up. The entire film is set in the beautiful English countryside of the Vale of the White Horse in Oxfordshire. The story of the making of Tortoise in Love could almost be a film in itself. Almost the entire village of Kingston Bagpuize in Oxfordshire was involved in the making of the film. Young mums helped with the sales and design and publicity. Retired folk provided the drivers and stewards and props and logistics support. The Women’s Institute organised a phenomenal catering effort and all the cast and crew were lodged in village homes for the duration of the shoot.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
Bosco is the son of a minister arrested for corruption, misappropriation of public funds, money laundering and a lot more of economic crimes. Selfie is about the story of him since he’s kicked out of his luxurious chalet until he tries to get a job at the headquarters of a left-wing political party.
A small-town loser determines to have one more shot at the big time by winning a football game.
When Elizabeth returns to her mother’s home after her marriage breaks up, she recreates her imaginary childhood friend, Fred, to escape from the trauma of losing her husband and her job. In between the chaos and mayhem that Fred creates, Elizabeth attempts to win back her husband and return to normality.
It’s Hollywood, 1958. Small town beauty queen and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his seventh grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes’ number one rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes’ behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.
A group of friends reunite to play The Buddy Games, a wild assortment of absurd physical and mental challenges. In the process, they’ll heal old wounds, right past wrongs and figure out the true meaning of friendship…or die trying.
Tales From The Lodge is a fresh take on the portmanteau horror-comedy genre. An isolated lodge somewhere in England. Five old university pals, now nudging 40, gather for a weekend to scatter the ashes of their friend, Jonesy, who drowned himself in the lake three years earlier. They settle in for a fun evening, entertaining each other with stories of murders, ghosts, zombies and possessions, but as day turns to night, the gang become aware of another horror story unfolding around them – And this one is real.
Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.