A service which creates holographic projections of late family members allows an elderly woman to spend time with a younger version of her deceased husband.
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Tharlo is an orphan. Now grown up, he makes a living as a sheep herder in the village. He has grown a ponytail, so people simply call him “Ponytail”, since nobody remembers his real name anyway. Tharlo has a remarkable memory. He remembers so many things, except his own name. He is now in his forties, and he has yet to have his first woman. Now Tharlo goes to town to take a photo for his identity card. He meets a girl in the barber’s shop who changes the course of his life. He embarks on the journey to find his true self. He sells all his sheep and those entrusted by other villagers to him for care, and decides to use the money to go out into the world with the girl, only to find himself being deceived and cheated by her. Ironically, in his journey of self-discovery, Tharlo has lost his sense of self. As he witnesses in the mirror his ponytail being cut off and leaving him bald, he can no longer see himself as a man with a history that he recognizes.
With his carefree lifestyle on the line, a wealthy charmer poses as a ranch hand to get a hardworking farmer to sell her family’s land before Christmas.
An ex-serviceman is forced to seek refuge for his team and the family in their charge in rural Scotland, with devastating consequences.
When his son dies while hiking the famed Camino de Santiago pilgrimage route in the Pyrenees, Tom flies to France to claim the remains. Looking for insights into his estranged child’s life, he decides to complete the 500-mile mountain trek to Spain. Tom soon joins up with other travelers and realizes they’re all searching for something.
A straight-laced pharmacist’s uneventful life spirals out of control when he starts an affair with a trophy wife customer who takes him on a joyride involving sex, drugs and possibly murder.
When the Choi family lose their dry cleaning business, they learn to love each other to survive the crisis and heartaches that they cause each other.
Based on the successful 1956 Broadway production of the same name by Betty Comden, Adolph Green, and Jule Styne, the film focuses on Ella Peterson, who works in the basement office of Susanswerphone, a telephone answering service. Peterson, based on Mary Printz, who worked at Green’s service, listens in on others’ lives and adds some interest to her own humdrum existence by adopting different identities for her clients. They include an out-of-work Method actor, a dentist with musical yearnings, and in particular playwright Jeffrey Moss, who is suffering from writer’s block and desperately needs a muse.
Al, a young man from a modest background is about to marry his boss’ daughter, along with succeeding him as the head of a car dealership. One night, while coming back from his bachelor party, he is guilty of a hit-and-run accident, urged by his two childhood friends present in the car. The next day, gnawed with guilt, Al decides to inquire about his victim. What he does not know is that Juliette, a young woman, has witnessed the entire accident from her balcony.
A prominent fashion photographer returns to her small town roots at the request of a friend. Surrounded by both memories and loved ones, she must consider a choice between a successful future and rekindling both the love of her life and of her home.
Pippa and Thomas move into their dream apartment. They notice that their windows look directly into the apartment opposite – inviting them to witness the volatile relationship of the attractive couple across the street. But when they attempt to anonymously intercede in their lives, they unwittingly set in motion a chain of events leading to deadly consequences.
