A little girl investigates the presence of a monster that her parents unknowingly created.
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In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
Christine (Jennifer Holland) and Reagan (Kate Plec) are a pair of young women who get to know each other when they end up sharing a dorm room in college. Christine is a studious type who is still getting over a family tragedy, while Reagan never lets her classes get in the way of a good time. Convinced Christine needs to get out more, Reagan persuades her to tag along as she attends a wild party at the Beta Alpha Tau sorority house. Both Christine and Reagan are impressed with the BAT house, and in particular, chapter president Devin (Michelle Borth), and they are soon invited to join. However, Ms. Masters (Barbara Crampton), who teaches a class on the paranormal, believes that the BAT house is the center of supernatural activity on campus, and urges Christine to inform her of the goings-on at the house. It isn’t long before Christine finds out that Ms. Masters’ fears were based in fact, but can she tear herself away from the decadent pleasures sorority life has brought to her?
Antoine has agreed to follow a writing workshop where some young people in insertion must write a black novel with the help of Olivia, a recognized novelist. The work of writing will bring to life the working-class past of the city. Its shipyard is closed for 25 years, a nostalgia that does not interest Antoine, influenced by the anxiety of the present world
Wisecracking, gum-chewing 12-year-old Gilly is well known in the foster system. Totally unmanageable, she has stayed with more families than she can remember and has outwitted them all. After all, how can she settle down when her real mother, the beautiful and glamourous Courtney, might be out there waiting for her? When Gilly is sent to live with the Trotters, the weirdest family yet, she isn’t planning to stick around. But cheerful, affectionate Maime Trotter isn’t giving up on Gilly just yet…
In a post-war alternative timeline, Japan is divided into the North, controlled by the Union, and the South, controlled by the United States. A mysterious high tower rises within the borders of the Union. Three high school students promise to cross the border with a self-built airplane and unravel the secret of the tower.
Two hard-living best friends and aficionados of illegal racing contests find their bond tested when one of them goes to trial for vehicular homicide.
From director Clint Eastwood comes the big-screen version of the Tony Award-winning musical Jersey Boys. The film tells the story of four young men from the wrong side of the tracks in New Jersey who came together to form the iconic 1960s rock group The Four Seasons. The story of their trials and triumphs are accompanied by the songs that influenced a generation, including “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” “Rag Doll,” and many more.
An anthology of three horror stories presented by George A. Romero. In “Valley of the Shadow,” a woman searches for her missing husband in the jungles of South America, only to be in great danger herself. In “Wet,” a lonely man finds an empty box on the beach and opens it, with disastrous results. In “House Call,” a doctor is called to a rural farm house to diagnose a strange ailment. This segment is a short film directed by Tom Savini in 2004 as a failed television pilot.
Tess enlists her biological father – a lovable slacker from the wrong side of the tracks – and the charming juvenile delinquent next door to help her come to grips with the death of her little sister.