As he copes with the death of his fiancee along with her parents, a young man must figure out what he wants out of life.
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Ford plays an American doctor whose wife suddenly vanishes in Paris. To find her, he navigates a puzzling web of language, locale, laissez-faire cops, triplicate-form filling bureaucrats and a defiant, mysterious waif who knows more than she tells.
Daniel Lugo, manager of the Sun Gym in 1990s Miami, decides that there is only one way to achieve his version of the American dream: extortion. To achieve his goal, he recruits musclemen Paul and Adrian as accomplices. After several failed attempts, they abduct rich businessman Victor Kershaw and convince him to sign over all his assets to them. But when Kershaw makes it out alive, authorities are reluctant to believe his story.
On the sand dunes of her local beach a female jogger returns to the scene of a crime looking for closure.
The protagonist is a young woman, Joan Prats suffering from agnosia, a strange, primary visual disease that is one of the neuropsychological disorders of perception. Although her eyes and ears are in perfect condition, her brain is not able to correctly interpret the stimuli it receives. Joan is the only person to know an industrial secret left behind by her late father and becomes the victim of a sinister plan to extract this information. Her captors plan to use her sensory condition to help extract the information that they so desperately want.
The film is based on a true story: the tragic life of China’s first prima donna of the silver screen, Ruan Lingyu. This movie chronicles her rise to fame as a movie actress in Shanghai during the 1930s. Actress Maggie Cheung portrayed Ruan in this movie. Nicknamed the “Chinese Garbo,” Ruan Lingyu began her acting career when she was 16 years old and committed suicide at age 24. The film alternates between present scenes (production talks between director Kwan, Cheung, and co-star Carina Lau, interviews of witnesses who knew Ruan), re-creation scenes with Cheung (as Ruan, acting inside this movie), and extracts from Ruan’s original films including her final two films The Goddess and New Women.
Cain is a military scientist, bitterly disappointed in human race. His conclusion is that the mankind failed to create a world worth living in. Only a small minority of privileged people live in prosperity, while the rest are spending their lives in pain and hopeless struggle to survive. One day, Cain made a decision to wipe out the entire human race from planet Earth, by activating the weapons of mass destruction. Time has passed, and Cain is coming out of the shelter to find the place where he will die. The place where the last man will die. Suddenly, he’s starting to receive a mysterious signal that indicates someone else’s presence. So, he goes in search to eliminate the survivor and complete what he has started…
Takes place in 1995, the year of the second referendum on the separation of Quebec. In the dead of winter, a serial killer is on the loose in the small Montreal neighborhood of Notre Dame de Grace. The tenants of an old apartment house must figure out who they can trust and who they can’t.
A portrait of two couples at a crossroads. What was supposed to be a romantic getaway for two young lovers, turns into an uncomfortable confrontation when the young man’s estranged father shows up … with his own girlfriend. As their collisions mount, the weekend transforms into a major turning point for each of them.
The story centers on a group of gossipy, high-society women who spend their days at the beauty salon and haunting fashion shows. The sweet, happily-wedded Mary Haines finds her marriage in trouble when shop girl Crystal Allen gets her hooks into Mary’s man.
Does time exist when nothing changes? That is the question for the picturesque Village of Rockwell, where time has frozen. Nobody gets sick; nobody ages, and nobody dies due to a tragic bus crash that took the lives of the 1977 undefeated Rockwell High School Basketball Team.
A “romantic comedy” based loosely on the suicide of the poet Henrich von Kleist in 1811.
The story of the descent into madness of Mussolini’s secret first wife, Ida Dasler, who was seduced by his passion and vigour but blind to the fascist dictator’s many flaws. A historical drama with the passion, lyricism and tragedy of a classical Italian opera. Nominated for the Palme d’Or at the 2009 Cannes Film Festival.