Paul “OtaKing” Johnson drops a real treat in the form of this “Star Wars: TIE Fighter” animated short. Complete with appropriately radical electric guitar solos and impressive attention to detail, “TIE Fighter” casts the forces of the Galactic Empire not in the role of disposable cannon fodder seen in the Star Wars films, but as near-suicidally reckless angels of death. Johnson animated this 7-minute short over the course of “four years’ worth of weekends,” and his love and attention-to-detail shows.

On the south shore of Long Island in the summer of 1983, a group of working-class teenagers and 20-somethings work their summer jobs, fall in and out of love, and wrestle with what the future holds when the summer ends and the real world beckons.

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Stranded in the aftermath of a deadly outbreak, a brother fights to protect his sister while he desperately searches to find refuge and avoid an infected population with a thirst for blood.

A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman’s fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.

It is the story, the process of becoming more and simultaneously less than human through technology as it follows a few characters through this transformation of becoming.

When a girl with a promising future finds herself in financial straits, she makes an agreement with an older man and struggles to keep it secret.

The story revolves around three soldiers — Colee, T.K. and Cheaver — who return from the Iraq War after suffering injuries and learn that life has moved on without them. They end up on an unexpected road trip across the U.S.

Set over three days, two different couples – each comprising of a teacher and a student – spend a life-changing weekend at the seaside resort town of Scarborough to seek an escape from the constraints of every day life.

When Chelsea Simms, the good-hearted brand strategist for the popular dating app The Nice List, discovers the app has granted her magical powers, she uses her newfound ability to make all of the naughty people in her life learn how to be good again.

All the colour, depth and mystery of India’s complex and riotous cultural heritage is brought to light in a single action which changes two countries forever. A proud Indian international student is attacked in a brightly lit train carriage against a backdrop of darkness. Unknown to his attackers his high caste status has little relevance, and in one poignant moment, he is rescued by his counterpart, an ‘untouchable’, a low caste. They are united by what would otherwise be impossible. The highly publicised event sends shock waves through the international community.

Kreola arrives in Santa Domingo to join her photographer husband Andy. Although Andy is initially jealous of Marco, who is in town looking for his missing girlfriend who did not return from Santa Domingo with her coworkers after a girls getaway. When Kreola and Andy site the missing girl Iris in the company of their gruff, dominating sea captain Leon, Andy suggests Kreola distract him so that Marco has a chance of getting Iris back. Kreola scoffs at this but eventually does fall under Leon’s spell. Andy’s writer friend Jo Ann blames the island atmosphere for the tendency for puritanical Westerners to reject their inhibitions. When Andy and Marco cannot free their women from Leon’s influence, things get drastic.