Quan is a humble London businessman whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love – his teenage daughter – dies in a senseless act of politically-motivated terrorism. His relentless search to find the terrorists leads to a cat-and-mouse conflict with a British government official whose own past may hold the clues to the identities of the elusive killers.

A businessman, on his daily commute home, gets unwittingly caught up in a criminal conspiracy that threatens not only his life but the lives of those around him.

American Matt Quigley answers Australian land baron Elliott Marston’s ad for a sharpshooter to kill the dingoes on his property. But when Quigley finds out that Marston’s real target is the aborigines, Quigley hits the road. Now, even American expatriate Crazy Cora can’t keep Quigley safe in his cat-and-mouse game with the homicidal Marston.

Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.

Multiple storylined drama set in 1932, showing the lives of upstairs guest and downstairs servants at a party in a country house in England.

The triumphs and failures of middle age as seen through the eyes of runaway American housewife Mary Wilson, a woman who believes that ultimate reality exists above and beyond the routine procedures of conscious, uninspired, everyday life. She feels cheated by an older generation that taught her to settle for nothing less than storybook finales, people who are disillusioned and restless and don’t know why, people for whom life holds no easy answers.

A genetically engineered plant scatters its seeds and seems to cause uncanny changes on living creatures. The afflicted appear strange, as if they were replaced – especially for those, who are close to them. Or is it all just imagination? Thus starts a play between various truths,on which end stands the loss of the own identity.

Desperate to make the film that will crown him the next Tarantino, debut filmmaker Kurt Michael travels 8000 miles to the outback of Tasmania.

An ex-con takes a job driving a truck cross country. What he doesn’t know is that the truck is filled with illegal weapons and now he must fight to survive and save his family.

A desperate housewife discovers her husband is having an affair and kidnaps his unsuspecting mistress, but what starts as a prank quickly spirals out of control.

Despite his best intentions, billionaire Jason Stevens can’t find enough time to keep his beloved Alexia a priority. But when he discovers his late grandfather’s journal, he is transported back to Red Stevens’ incredible world. With everything he loves hanging in the balance, Jason Stevens hopes the past will prepare him well for the future.

Christmas for Miranda (Krakow) is a painful reminder of the family she never had. Her mother died when she was young, never revealing the identity of her father. But, three days before Christmas, she unexpectedly receives a clue as to the whereabouts that takes her to a beautiful New England town where she meets Ian (Matter), a young man who helps with her search. As the clues lead to her father’s identity and Miranda discovers the possibility of love in Ian, and she learns that her father lived in the small town and now she knows his family (her brother and her biological father’s wife). She faces a terrible decision… Should she share the truth and risk losing the family she has just found, or leave and keep the secret forever? This Christmas promises to be life-changing for Miranda with a new chance at life and love.