In a celebration of the trans community in Puerto Rico, the fissure between internal and external is an ever-present battle. A unique exploration of self-discovery and activism, featuring a diverse collection of subjects that include LGBTQ advocates, business owners, sex workers, and a boisterous group of drag performers who call themselves The Doll House, Mala Mala portrays a fight for personal and community acceptance paved with triumphant highs and devastating lows.

Recently discovered footage reveals the secret history of NASA’s first landing on the moon, and using this brand-new evidence, former astronauts and experts challenge everything known about the Apollo missions.

The Square, a new film by Jehane Noujaim (Control Room; Rafea: Solar Mama), looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.

The political murder of a Moscow lawyer and the cancellation of 259 pending American adoptions of Russian orphans are seemingly disparate events found to have a deep and insidious connection. Connecting the dots from Russia’s warehousing of abandoned and special needs children to the cross-borders dealings of a billionaire investment banker to one American family’s tragedy, the film explores how Russian political corruption is linked to a single adopted child, whose accidental death becomes the declared reason behind Putin’s Russian Adoption Ban.

A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers and luxuriates in the language and the theater of their debates, begging the question, ‘What has television done to the way we discuss politics in our democracy today?’

The 69th Annual Primetime Emmy Awards will honor the best in U.S. prime time television programming from June 1, 2016 until May 31, 2017, as chosen by the Academy of Television Arts and Sciences.

The murals of Northern Ireland are an expression of the region’s violent Troubles. ‘The Art of Conflict’ examines these murals through their painters and the people who live there, exploring this unique street art’s impact, purpose, and future.

Michael Moore’s Capitalism: A Love Story comes home to the issue he’s been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).

A documentary about the development and spread of the virtual currency called Bitcoin.

From the Academy-Award nominated creators of the Broadway show STOMP and the award-winning film Wild Ocean, The Last Reef is an uplifting, inspirational large-format and 3D cinema experience capturing one of nature’s more vibrant and diverse wonderlands. Exotic coral reefs, vibrant sea walls in the sub-arctic pulsating with anemones and crustaceans: these biodiversity hot spots are as vital to our lives as the rainforests. Shot on location in Palau, Vancouver Island, French Polynesia, Mexico, and The Bahamas using groundbreaking 3D cinematography, The Last Reef takes us on a global journey to explore the connection of our cities on land with the ocean’s complex, parallel world of the coral reefs beneath the sea.

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they’re good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.

We live at a moment in time when the Israeli-Palestinian conflict, now more than a century old, continues to be of overwhelming international political and societal importance. From its inception, that conflict has also, of course, had powerful and deeply troubling consequences for Israelis and Palestinians themselves. The story at its most basic level is one that involves two peoples struggling for national recognition and expression in a small but richly significant piece of land. The tragedy of this history, as both the Israeli novelist, Amos Oz, and the Palestinian scholar, Sari Nusseibeh, have each pointed out, stems from a conflict between the rights of two peoples with equal and legitimate aspirations to nationhood and self-expression in a single small territory to which they can both lay claim.