A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager.

The Collective Evolution III is a powerful documentary that explores a revolutionary shift affecting every aspect of our planet. As the shift hits the fan, people are becoming more aware of the control structures that prevent us from experiencing our full potential. CE3 uses a different level of consciousness and scientific facts to bring clarity about the shift while dispelling myths about our true nature. It offers practical steps that we can implement right now to transition out of survival mode and into our more natural state of peace and co-operation . CE3 includes fascinating interviews with revolutionary speakers and people who are already opting out of the current socioeconomic system. The film examines hidden technologies and exciting alternatives for a bright limitless future.

Herzog and cinematographer Peter Zeitlinger go to Antarctica to meet people who live and work there, and to capture footage of the continent’s unique locations. Herzog’s voiceover narration explains that his film will not be a typical Antarctica film about “fluffy penguins”, but will explore the dreams of the people and the landscape.

Despite a lack of obvious similarities between Siberia and Tokyo, a thriving model industry connects these distant regions. GIRL MODEL follows two protagonists involved in this industry: Ashley, a deeply ambivalent model scout who scours the Siberian countryside looking for fresh faces to send to the Japanese market, and one of her discoveries, Nadya, a thirteen year-old plucked from the Siberian countryside and dropped into the center of Tokyo with promises of a profitable career. After Ashley’s initial discovery of Nadya, the two rarely meet again, but their stories are inextricably bound. As Nadya’s optimism about rescuing her family from their financial difficulties grows, her dreams contrast against Ashley’s more jaded outlook about the industry’s corrosive influence.

Tells in parallel, the story of two Mexican brothers that want to go back to the United States after being deported for life, and the story of an American woman who lost her house and today believes she can get it back through Trump’s promises. Their journeys take them on road trips to meet with their past and with relatives who they believe can help them achieve their dreams. Immigration has been shown in many ways, but it has never been presented through the lives of Mexicans and Americans who live similar situations due to poverty and lack of family structure. To achieve a dream you first need to know the name of the dream.

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A three year self-described labour of love, 2040 takes the form of a visual letter from the filmmaker to his four-year-old daughter Velvet, showing her what the year 2040 could look like “if we simply embraced the best solutions that exist today.”

A chronological account of the heavy metal band Iron Maiden’s 2008 world tour through India, Australia, Japan, USA, Canada, Mexico and South America in a jet piloted by the band’s front man, Bruce Dickinson. Features interviews with the musicians, their road crew and fans.

One in four women experience violence in their homes. Have you ever asked, “Why doesn’t she just leave?” Private Violence shatters the brutality of our logic and intimately reveals the stories of two women: Deanna Walters, who transforms from victim to survivor, and Kit Gruelle, who advocates for justice.

A documentary on the unrest in Ukraine during 2013 and 2014, as student demonstrations supporting European integration grew into a violent revolution calling for the resignation of President Viktor F. Yanukovich.

As 2015 marks a half a century since the Moors murderer was sentenced to life imprisonment, this documentary examines Ian Brady’s 50 years in jail. Among the contributors are prison officers, detectives, relatives of victims, pen pals and inmates who served time with him. They reveal how Brady has shown a psychopathic lack of connection with his crimes. Arrested and charged in 1965, he’s never been considered for parole, nor has he asked to be freed.

Veronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Veronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Veronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.