While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can’t steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.
You May Also Like
When Chef Carl Casper suddenly quits his job at a prominent Los Angeles restaurant after refusing to compromise his creative integrity for its controlling owner, he is left to figure out what’s next. Finding himself in Miami, he teams up with his ex-wife, his friend and his son to launch a food truck. Taking to the road, Chef Carl goes back to his roots to reignite his passion for the kitchen — and zest for life and love.
A disturbing portrait of contemporary youth culture where the lines between reality and fiction are blurred with often frightening results.
Zoé decides to hit the road to approach a writer she admires (played by the French director Jacques Doillon). She believes that a road trip might give purpose to her life. On the way, she meets Adrien, a young comedian. Intrigued by her elusive personality, he decides to follow her.
A mother and her three daughters — romantic Bee, sensible Evie, and child of nature Daisy — occupy the titular glass building, which has been completely sealed off to protect its occupants from a dementia-inducing toxin called the Shred that’s poisoning the air outside. Fearful of becoming like the lost souls who wander the abyss outside, the family keep a grasp on their past by performing sacred rituals. When Bee breaks the rules and lets an injured stranger into their midst, the family dynamic is shattered forever, as hidden truths upend the illusions the women have worked so hard to protect.
For an important case, a policeman needs the help of his former best friend to impersonate the daughter of a foreign dignitary in a beauty pageant.
A group of friends discover an ancient book, the Necronomicon, the Book of the Deads. They discover that the book is a link between our world and the world of ancients creatures, older than our civilizations.
When a film crew moves into an abandoned psychiatric hospital with a shadowy past to shoot a low budget horror film, they get more than they bargained for. The late nights and lack of sleep begin to take a toll, and the longer this crew works, the more the leaky, wet building seems to be coming back to life, feeding off its new inhabitants. As the shoot wears on, members of the crew exhibit increasingly strange behavior leaving those still sane realizing they need to get out of this place before they too succumb to the building’s infectious hold, the only problem, the old hospital is not ready to let them go.
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam – a girl also suffering from various maladies – opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
Inspired by Carmilla, the seminal 19th Century vampire tale by Sheridan LeFanu, STYRIA plunges the viewer into a haunted world of fantasy and obsession. In 1989, Lara Hill (Eleanor Tomlinson), accompanies her art historian father (Stephen Rea) to an abandoned castle across the Iron Curtain. From a car crash outside of the castle, emerges the beautiful and mysterious Carmilla. Lara secrets Carmilla into the castle and the two are drawn into an intoxicating relationship. But when Carmilla mysteriously disappears, and women of the town begin committing suicide, Lara’s psychic wounds erupt into a living nightmare that consumes the entire town of Styria.
