Someone is killing off nubile real estate agents. A psychologist doing a therapy talk show begins getting calls from the perpetrator, and cooperates with the police to try and stop him. Unfortunately, his lover is a real estate agent, and when it becomes clear that the madman is getting information for his kills from her discarded home listings, they both become endangered.
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Michael Madsen stars as Max Walker, a down-and-out cop who becomes the target of a bloodthirsty drug cartel after he leads a narcotics bust to intercept a large shipment of heroin. When someone starts picking off his team members — and the drugs seized in the raid suddenly disappear — Walker pairs up with one of his detectives (Daryl Hannah) to uncover a conspiracy that may go straight up the chain of command.
Strange attacks plague the township’s women, leaving the town leaders at a loss to defend them. At the same time Mthnuzi, a shrewd businessman, is becoming wealthier and more popular with the ladies – something is amiss. The local reverend, Simon Nkosi, learns that Mthunzi is controlling a Tokoloshe to fulfill his greedy desires. In his greed he breaks a golden rule of maintaining control over the beast and it goes on a rampage. Now its thirst for blood is strong and comes after Mthunzi’s women, saving the one he loves for last. Together with Reverend Simon they must take on a mythical beast that has never been defeated, to try and save.
In RoboCop, the year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years, but have been forbidden for law enforcement in America. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy – a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit – is critically injured, OmniCorp sees their chance to build a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine.
Andy the Arsonist welcomes everyone to his theater of derange for a wild night of thrills, chills and spills. Andy kick’s off the night by hosting five short horror films from some of the best Horror Writer/Directors in the indie scene.
Set one evening in present-day Moscow, 16-year-old Pyotr is baited by an ultra-nationalist group known for their violent abductions and attacks bolstered by Russia’s LGBT Propaganda Law, but Pyotr has a dangerous secret.
Miles from civilization, a blind teenager and the hunter he befriends are tormented by a mysterious creature lurking in the woods.
Inspired by the E.C. comics of the 1950s, George A. Romero and Stephen King bring five tales of terror to the screen.
Six friends test their intelligence in a game that takes a dark turn.
Sam, a freelance journalist, decides to investigate the growing phenomenon of disaffected youth joining extremist groups. He infiltrates a group of four young people who have been tasked with the creation of a jihadist cell and whose mission is to destabilise the city centre of Paris.
When a film crew moves into an abandoned psychiatric hospital with a shadowy past to shoot a low budget horror film, they get more than they bargained for. The late nights and lack of sleep begin to take a toll, and the longer this crew works, the more the leaky, wet building seems to be coming back to life, feeding off its new inhabitants. As the shoot wears on, members of the crew exhibit increasingly strange behavior leaving those still sane realizing they need to get out of this place before they too succumb to the building’s infectious hold, the only problem, the old hospital is not ready to let them go.