Patrice O’Neal is one of the funniest, most respected comedians working today. You know him from his recurring roles on The Office and Arrested Development, as host of VH1’s Web Junk 20, as a featured guest on Tough Crowd With Colin Quinn. He also has a hugely-followed podcast and sells out shows across the country. ‘Elephant In The Room,’ stand-up performance filmed at the New York Comedy Festival, is his first full-length special and is being release extended and uncensored with 40 minutes of content not seen on TV.
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To remedy his financial problems, a travel agent has his eye on a frozen corpse, which just happens to be sought after by two hitmen.
The Bouvier-Sauvages, a large aristocratic family, meet the much more modest Martin family when their children’s wedding is announced. For the occasion, the future bride and groom offer their parents DNA tests, which will reveal their true origins. The results are totally unexpected and will make the effect of a bomb.
Mike Birbiglia declares that a joke should never end with “I’m joking.” In his all-new comedy, Birbiglia tiptoes hilariously through the minefield that is modern-day joke-telling. Join Mike as he learns that the same jokes that elicit laughter have the power to produce tears, rage, and a whole lot of getting yelled at. Ultimately it’s a show that asks, “How far should we go for the laugh?”
A young woman, recently released from a mental hospital, gets a job as a secretary to a demanding lawyer, where their employer-employee relationship turns into a sexual, sadomasochistic one.
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Jack McCall is a fast-talking literary agent, who can close any deal, any time, any way. He has set his sights on New Age guru Dr. Sinja (Cliff Curtis) for his own selfish purposes. But Dr. Sinja is on to him, and Jack’s life comes unglued after a magical Bodhi tree mysteriously appears in his backyard. With every word Jack speaks, a leaf falls from the tree and he realizes that when the last leaf falls, both he and the tree are toast. Words have never failed Jack McCall, but now he’s got to stop talking and conjure up some outrageous ways to communicate or he’s a goner.
The staff of a Korean War field hospital use humor and high jinks to keep their sanity in the face of the horror of war.
Phil and Claire Foster fear that their mild-mannered relationship may be falling into a stale rut. During their weekly date night, their dinner reservation leads to their being mistaken for a couple of thieves – and now a number of unsavoury characters want Phil and Claire killed.
MAD AS HELL follows Cenk Uygur’s transformation from unknown talk show host on local Public Access TV to an internet sensation with his online news show “The Young Turks,” which has amassed over one billion views on YouTube. Once Cenk ventures from the internet into national television and lands the 6 PM time slot on MSNBC, his uncensored brand of journalism is compromised and Cenk becomes the nexus in the battle between new and old media.
Frank is a man who thinks he has lost everything, until his house is destroyed by a tornado. Then when he goes to the insurance company, he’s told they won’t pay because the damage falls under the “Act of God” exclusion in his policy. With nothing left, and nothing left to lose, he decides to sue God himself for damages, naming representatives of the world’s religions as defendants in the suit. What starts as a ridiculous stunt, becomes a beautiful, funny, soulful odyssey in which he rediscovers that love itself… requires a leap of faith.
The story bases on four Finnish brothers, nicknamed ‘the Eura Daltons’ who received nation-wide notoriety for tearing gas pumps apart when they needed cash. The cast is an impressive one: the brothers are portrayed by Peter Franzen, Lauri Nurkse, Niko Saarela and Jasper Pääkkönen while their really evil father is played by Vesa-Matti Loiri, one of the grand old men of Finnish cinema.