In 1970s Iran, Marjane ‘Marji’ Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah’s defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.
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Deadline is the story of the murder of an African American youth in rural Alabama that has gone uninvestigated, unsolved, and unpunished for almost twenty years. That changes when Nashville Times reporter Matt Harper (Steve Talley) meets an idealistic young blueblood bent on discovering the truth. Harper undertakes the investigation despite the opposition of his publisher, violent threats from mysterious forces, a break-up with his fiancée, and his father’s cancer diagnosis.
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Bruno’s plan to win back his ex-girlfriend hits a snag when he becomes attracted to her boyfriend.
In the not so distant future, Theodore, a lonely writer purchases a newly developed operating system designed to meet the user’s every needs. To Theodore’s surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.
Kanto, 14, a descendant of Japan’s indigenous Ainu people, decides to visit a hole in the forest — a path to the other side of the world where dead people live, hoping to see his deceased father.
Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.
A moving, nostalgic portrait of the men behind the golden age of chanbara (sword-fighting dramas and films) that goes behind the scenes of the distinctive film genre for which Japan is most famous, with dominant performance by real-life kirare-yaku Seizo Fukumoto.
Akira Kurosawa’s lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.
Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
A former playboy is granted a pass from his marriage and is entangled in a deadly web of deception when the person he chooses is his sister-in-law.
