A Blanc-Biehn production centered around the idea of a governmentally designed drug created to help correct or strategically alter perceptions gathered during times of trauma or stress. Slated as being a substance that may help solve issues with everything from racial tensions, PTSD and geopolitic battles, first a focused study is needed to see how people respond to treatment and what dosages might be needed. Four couples are chosen to test this drug, and soon find their memories and sanity challenged.

Mike, after his release from a psychiatric hospital, teams up with his old pal Reggie to hunt down the Tall Man, who is at it again. A mysterious, beautiful girl has also become part of Mike’s dreams, and they must find her before the Tall Man does.

Abby and Rebecca Powell haven’t seen each other since a traumatic event in their youth ripped them apart. Reunited for the first time in over a decade, the sisters take a trip to spread their mother’s ashes at a secluded lake. As the sisters reconnect and try to heal old wounds, something waits in the nearby woods. A strange object, made not by the hands of man, beckons them to it. As they begin to try and unlock its secrets, Abby is plagued by nightmares of an alien presence that seem all too real. Little do the sisters realize that this object is actually a device, one with a purpose too horrible to comprehend. As the events of the past and the present begin to merge, new discoveries will threaten to tear apart their newly reformed family, and the inhuman creators of the device will attempt to finish a terrible experiment begun years before.

Freed of her responsibilities with the 501 Organization, Motoko Kusanagi must now learn how to take orders from Aramaki. Someone hacks the Logicomas, and Batou enlists the help of former army intelligence officer Ishikawa and former air artillery expert Borma. Kusanagi also seeks to enlist ace sniper Saito and undercover cop Paz into the new Public Security Section 9.

On the eve of D-Day during World War II, American paratroopers are caught behind enemy lines after their plane crashes on a mission to destroy a German Radio Tower in a small town outside of Normandy. After reaching their target, the paratroopers come to realize that besides fighting off Nazi soldiers, they also must fight against horrifying, bloody, and violent creatures that are a result of a secret Nazi experiment.

When American soldiers inadvertently steal Attila the Hun’s secret riches, the wrath of the barbarian is awakened; the mummified warrior will stop at nothing to kill the intruders.

A saga centered on a multi-generational family of New York City Police officers. The family’s moral codes are tested when Ray Tierney, investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora’s Box that threatens to upend not only the Tierney legacy but the entire NYPD.

In the year 2455, Old Earth is now a contaminated planet abandoned for centuries — a brown world of violent storms, toxic landmasses and poisonous seas. Yet humans have returned to the deadly place that they once fled, not to live, but to research the ancient, rusting artifacts of the long-gone civilizations. But it’s not the harmful environment that could prove fatal to the intrepid, young explorers who have just landed on Old Earth. For them, it’s Friday the 13th, and Jason lives!

Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD’s sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.

On their first night at a new, secluded house, a couple (Esin Harvey, Gorkem Mertsoz) encounter the mysterious woman (Derya Alabora – A Most Wanted Man, When We Leave) who claims it to be her home.

THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

Halla declares a one-woman-war on the local aluminium industry. She is prepared to risk everything to protect the pristine Icelandic Highlands she loves… Until an orphan unexpectedly enters her life.