The story is about an elderly Chinese tai chi chuan teacher and grandfather who emigrates from Beijing to live with his son, American daughter-in-law, and grandson in a New York City suburb. The grandfather is increasingly distanced from the family as a “fish out of water” in Western culture.
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Ryan is an elementary school teacher, who learns that he is colorblind. Michelle, an optometrist, and mother of one of his students, helps bring color into his life in time for the holidays.
In the 1930s, a social set known to the press – who follow their every move – as the “Bright Young Things” are Adam and his friends who are eccentric, wild and entirely shocking to the older generation. Amidst the madness, Adam, who is well connected but totally broke, is desperately trying to get enough money to marry the beautiful Nina. While his attempts to raise cash are constantly thwarted, their friends seem to self-destruct, one-by-one, in an endless search for newer and faster sensations. Finally, when world events out of their control come crashing around them, they are forced to reassess their lives and what they value most.
In upscale Opulent, Arizona, Jason Miller, mid-20s, a spoiled rich kid still living off daddy’s money, and his wrong-side-of-the-tracks friend, Rick Brooks, raised in poverty, naively choose the wrong path to riches. Their fast-cash plan crashes them into a brick wall when they unwittingly cross into the territory of the dark and deadly crime lords that rule the underworld of Opulent.
Anne, a brilliant and dedicated advocacy lawyer specialising in society’s most vulnerable, children and young adults, lives what appears to be the picture-perfect life with her doctor-husband, Peter, and their twin daughters. When her estranged teenage stepson, Gustav, moves in with them, Anne’s escalating desire leads her down a dangerous rabbit hole which, once exposed, unleashes a sequence of events destined to destroy her world.
A struggling rapper finds a way in when he is approached by a more respected, hardcore rapper.
A young woman is haunted by visions of a faceless man after she is awoken from the dead in a body that is not her own.
A woman attracts the attention of a psychotic former Army interrogator and an emotionally fragile young man caring for his ailing mother.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
A man holds a woman in his dungeon, ties her up and suspends her from the ceiling. He then goes through the do’s and don’ts of making a snuff film.
