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A high school English teacher becomes a weekend chaperone for three students at a drama competition.
Two Nova Scotian teens who hit the road in July 1976 accompanied by the laconic ghost of (the still-living) Andy Warhol.
At first gas station attendant Poet is happy when the rockers gang “Hell’s Angels” finally accepts him. But he’s shocked when he learns how brutal they are – not even murder is a taboo to them. He gets himself in trouble when the leader’s girlfriend falls in love with him – and he welcomes her approaches.
When a man’s only son goes missing, he travels to the town where his ex-wife lives in search of answers. To play a man whose life is clouded by mystery, McAvoy will not be given a script of dialogue.
Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.
Carrie Bishop (Booth) lives for her successful career as an event planner in New York City, but her life changes in an instant after a nasty car accident in a snowstorm. Carrie suffers head trauma and regains consciousness in Central Park with an older man, Henry (Derek McGrath, “Little Mosque on the Prairie”). Henry is Carrie’s spirit guide and is there to help her “pass over” to Heaven. But before Carrie can move on, she must fulfill one last task on Earth – a type of Angel Duty. Henry tells Carrie that she must help guide a widowed, young restaurant owner, Scott Walker, (McGillion) who has recently considered suicide because his beloved restaurant/catering business is utterly failing. Carrie befriends Scott and his 8-year-old daughter and immediately displays a knack for promoting the restaurant. But time isn’t on Carrie’s side on this mission. She has until midnight Christmas Eve to turn the eatery around…
The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. A reserved community has been set up here. Despite the modern technologies and a spaceport nearby the people of the village live the way they would in the Neolithic Era. There is neither government nor social services or jobs. The postman’s beloved woman escapes the village life and moves to the city. Postman’s outboard engine gets stolen and he can no longer deliver mail. His normal pattern of life is disrupted. The postman makes a decision to leave for the city too but returns before long with no certain reason. The script is based on real characters’ stories. People from the village play their own parts in the film. The search for the protagonist lasted for over a year.
A bad girl and a province boy found love in the state of being broken and in the process of healing.
A young man abandons his family for a solitary life of fly-fishing. His goal was to find his own way in the fishing world and thereby find himself and love.
Marty Lakewood is a reporter forced to leave Chicago and his family because he had uncovered too much police corruption. He returns to his small home town on the California coast to his ailing mother and prostitute sister, with whom he had an incestuous affair. Being short of money, he seduces a woman cop in order to sell her house.
Scotty Smalls moves to a new neighborhood with his mom and stepdad, and wants to learn to play baseball. The neighborhood baseball guru Rodriquez takes Smalls under his wing. They fall into adventures involving baseball, treehouse sleep-ins, the desirous lifeguard at the local pool, the snooty rival ball team, and the travelling fair.
