G.T. Benz, a Viet Nam vet and recent widower, tries to cope with the problems of aging and loneliness — while beset by an aggressive robo-caller. The tedium and aggravations in his life are only relieved by a weekly get-together with his old ‘Nam buddies, ex-fighter pilots like himself. He joyfully looks forward to a promised visit from his long absent daughter, “Tricia,” whom he describes as “my only reason for living.” A poor prognosis from his doctor gives urgency to his desire to see her at least one more time. However, Tricia, unaware of G.T.’s state of health, keeps putting off her visit. Meanwhile, a ‘Nam buddy dies, and the robocalls become more intense. When a manipulative woman emerges from G.T.’s past, his life is thrown into chaos and he is driven to a desperate act.
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A coming of age drama following the life of Matt Hamill, the first deaf wrestler to win a National Collegiate Wrestling Championship.
As a privileged teenager living in an affluent suburb of Rio de Janeiro, Jean has little to worry about beyond games, grades and girls. But as his overbearing father drags the family into debt, Jean is forced into a change of lifestyle which opens his eyes to the world beyond his ‘casa grande’ – not least that of the feisty, mixed-race firecracker Luiza. Cultures, classes and generations collide in this engrossing coming-of-age drama from Brazil.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Aditya Singh, fondly called Adi Chachu by the children of his brother, lives in a large mansion in Mumbai with his brother, sister-in-law, sister and grandmother. He is the only one working in the family. He falls in love with a local teacher, Priya. They confess their feelings to each other and plan a wedding. However, before the wedding day Adi is run over by a truck to save Parth and dies. In afterlife, he meets The Hindu God of Death, Yamraj, a kind-hearted, emotional deity with designer clothes and an red old car. Yamraj allows Adi to go back to Earth as a ghost to stop his evil uncle who wants to sell Adi’s mansion to industrialist Hirachand. Adi enlists the aid of Shakti, a little boy, in order to save his family home.
Military-trained hitman, Jacob Tate (Kent Faulcon), has been sent by his handler (Eric Roberts) to a small Southern town with orders to eliminate a beautiful English teacher, Diane Shaw (Denise Boutte). When Diane mistakes Jacob for her long-lost brother, he uses the guise to find the perfect moment to kill her, but soon finds himself drawn into her frank and colorful family. Now this professional assassin is left to choose between executing what should be an easy murder-for-hire and trying to solve the mystery of who would want the innocent Diane dead.
A mentally-disturbed aspiring actor returning to New York City discovers the world of social media and faces the horrifying power of the Internet.
This 1960 thriller, set in London, stars Doris Day as a wife who begins to unravel when she receives threatening telephone calls informing her she’s soon to be murdered.
Oscar-nominated film adaptation of the rock opera of the same name, based on the last weeks before the crucifixion of Jesus. The film was directed by Norman Jewison. Ted Neeley and Carl Anderson were nominated for two 1974 Golden Globe Award for their portrayals of Jesus and Judas, respectively.
Julie Taylor has a problem how to cope with a pending divorce, find meaningful employment, live with her mother’s constant advice and raise her two children. In their small rural town it isn’t so much what people say as what they believe. And since the death of her father her no-holds-barred mother has been leaning more toward the belief that angels and heaven is right here with them. Unseen but as real as this world.
Three generations of a French family open up about their sexual experiences and desires after young Romain is caught masturbating in his biology class.
A story set in the 90s and in the outskirts of Rome to Ostia. A world where money, luxury cars, night clubs, cocaine and synthetic drugs are easy to run. A world in which Vittorio and Cesare, in their early twenties, act in search of their success.
