A corrupt cop gets in over his head when he tries to assassinate a beautiful Russian hit-woman.
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Husband (senior ministry official) and wife find their house is riddled with listening devices put there by his own ministry. A harrowing night follows (reminiscent of ‘Who’s Afraid Of Virginia Woolf’), and the resolution is worse than being carted off to jail
The story begins with Sekiuchi, boss of the Sannokai, a huge organized crime syndicate controlling the entire Kanto region, issuing a stern warning to his lieutenant Kato and right-hand man Ikemoto, head of the Ikemoto-gumi. Kato orders Ikemoto to bring the unassociated Murase-gumi gang in line, and he immediately passes the task on to his subordinate Otomo, who runs his own crew. The tricky jobs that no-one wants to do always end up in Otomo’s lap.
The Fantastic Four is an unreleased low-budget feature film completed in 1994. Created to secure copyright to the property, the producers never intended it for release although the director, actors, and other participants were not informed of this fact. It was produced by low-budget specialist Roger Corman and Bernd Eichinger (who also produced another Fantastic Four movie in 2005).
To provide a better life for his family in the country, 18-year-old Mateus accepts a job in a junkyard in São Paulo for his new boss Luca. But when he and a few other boys become trapped in the dangerous world of contemporary slavery, Mateus will be forced to decide between working for the very man who enslaved him or risk his and his family’s future.
A long night’s journey into day: Victor, a street hustler in the Santa Fe and Pueyrredón neighborhoods of Buenos Aires, from the evening of November 1, All Saints Day, to the dawn of November 2, All Souls Day. Victor’s odyssey takes him from clients to friends to a gay gym then a hotel room and an all-night café. He plays pick-up soccer with kids whose parents are going through trash or waiting in parks. A vendor gives him a chrysanthemum. It seems he’s being followed, and on the night streets, death is close at hand. Can Victor survive until dawn?
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
Julia becomes worried about her boyfriend, Holt when he explores the dark urban legend of a mysterious videotape said to kill the watcher seven days after viewing. She sacrifices herself to save her boyfriend and in doing so makes a horrifying discovery: there is a “movie within the movie” that no one has ever seen before.
The mating rituals of two teenage surf chicks from the southern suburbs of Sydney.Meet Sue, a teenage Australian girl in the late 70s, whose life mainly consists of doing what everyone else does – watch the surfing boys and have sex with the same surfing boys. The girls have to follow lots of strange customs, e.g. do not eat or go to the bathroom when a boy is around. Ugly girls have two choices – being bitches and hate boys, or being generally cheap and looked down upon by everyone. The afternoons are spent on the beaches, in the backseats of car or at home-alone-parties where sex and alcohol are the main ingredients. Parents and teachers are trying to straighten the kids out, but that is not easy.
A young brawler falls in love with a beautiful artist and must choose between his support system and his dreams.
Set in San Tiburon, the world’s most dangerous maximum-security penitentiary and home to the world’s most treacherous superpowered criminals, where tensions among the inmates and staff heighten, leading to anarchy that engulfs the prison and order is turned upside down.
Jacek loves heavy metal and his dog. He converts the country lanes outside his door into a racing track and bombs down them in his little car. When he and his girlfriend Dagmara take to the dancefloor, everyone runs for cover. He enjoys his existance as a cool misfit in an otherwise stuffy environment, and keeps his muscles toned working on a building site close to the Polish-German border where the world’s largest statue of Jesus is being constructed. But then his life is thrown badly off course by a terrible accident at work that completely disfigures him. Eagerly followed by the Polish media, Jacek becomes the first person in the country to receive a face transplant. He may be celebrated as a national hero and martyr, but he no longer recognises himself in the mirror. Meanwhile, the statue of Jesus grows taller and taller. Whilst events around Jacek come thick and fast, the film never loses sight of the bigger picture and instead brings things even more into focus.