When an ex mercenary’s love is kidnapped, he must save her from its tyrannical leader, who he was fathered by.
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After fighting for her life within a corn field maze and trying to outrun a number of murderous psychos, Melanie has regained consciousness to discover that she is now being held hostage by the Walker family, so they can continue to harvest her skin for their breakthrough skin care cream. Business is booming for the Walkers and Melanie soon finds that she’s not alone. Dozens of others are being held captive for their skin, as the family has plans to grow the business internationally. With one failed escape attempt under her belt, Melanie must once again fight for the opportunity to survive.
Damian Wayne is having a hard time coping with his father’s “no killing” rule. Meanwhile, Gotham is going through hell with threats such as the insane Dollmaker, and the secretive Court of Owls.
The script, which was written on a day-to-day basis as the film was being shot, concerns the adventures of a motley crew of swindlers and ne’er-do-wells trying to lay claim to land rich in uranium deposits in Kenya as they wait in a small Italian port to travel aboard an ill-fated tramp steamer en route to Mombasa.
Shelia, an environmentalist venturing into the deep sea to capitalize on the billion-dollar plastic industry encounters deadly enhanced sharks. She wants revenge… it wants blood.
Toby appears to be an ordinary dog living the simple put life, but unbeknownst to his family, he moonlights as secret government operative, Agent Toby Barks.
Nelly and her dog London are about to spend autumn break with her uncle Hannibal. Soon she noticed that he doesn’t live a quiet life. Her uncle is a Monster agent. Nelly gets dragged in to an adventure filled with ghosts, vampires and werewolves.
If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.
The boy Mowgli makes his way to the man-village with Bagheera, the wise panther. Along the way he meets jazzy King Louie, the hypnotic snake Kaa and the lovable, happy-go-lucky bear Baloo, who teaches Mowgli “The Bare Necessities” of life and the true meaning of friendship.
After an unnatural event leaves mankind nearly extinct, a runaway girl and a rogue bounty hunter brave a dangerous wilderness to find a fabled sanctuary that can either save or destroy what’s left of humanity.
Londo Mollari, the Centauri Emperor, recounts the initial contact between the Humans and Minbari, which resulted in a major incident and subsequent war, for an eager pair of youngsters wanting a story about love and conflict.
In postwar Japan, a new terror rises. Will the devastated people be able to survive… let alone fight back?
