Set in the late 90s, Rustic Oracle is a dramatic feature about Ivy, an 8-year-old girl trying to understand what happened to her big sister who has vanished from their small Mohawk community. With minimal clues, Ivy and her mother Susan embark on an unwelcome journey to find Heather which will ultimately bring the pair closer together despite challenging circumstances. Behind the story of desperation, told through the eyes of a child, lies one of hope, growth, awakening and love.
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Na’ama is seventeen. She lives in a sleepy suburbia. She is bored. With detached parents and a rebellious older sister, her life at home is a mess. It all changes when a new girl appears at school. She’s introduced to a world of drugs, lesbians and sex. She’s thrilled. Her life, at last, becomes exciting. Is it going to last? “Barash” is a coming of age story, planted in the heart of Israeli society, about a young woman who struggles to find her self-identity in an environment that has different ideas about sex, drugs and love.
In this third installment of the ‘Pusher’ trilogy, we follow Milo (‘Zlatko Buric’), the drug lord from the two first films. He is aging, he is planning his daughter’s 25th birthday and his shipment of heroin turns out to be 10.000 pills of ecstasy. When Milo tries to sell the pills anyway, all Hell breaks loose and his only chance is to ask for help from his ex-henchman and old friend Radovan
Lin McAdam rides into town on the trail of Dutch Henry Brown, only to find himself in a shooting competition against him. McAdam wins the prize, a one-in-a-thousand Winchester rifle, but Dutch steals it and leaves town. McAdam follows, intent on settling his old quarrel, while the rifle keeps changing hands and touching a number of lives.
After Hurricane Katrina, New Orleans handyman and blues singer-songwriter Gabe Recolte (Keb’ Mo’) was bereft. Left homeless and heartbroken, he had been forced to evacuate and relocate before he could tell club owner Hattie (Holness) how much he cares for her.
Dr. Syd has a good practice in the big city but a bad day when her terminal patient finally passes away. Her surgeon boyfriend, who has been sarcastically nick named “Mr. Personality” and “Settle For” by Syd’s best friend (Nurse Brenda), takes this opportunity to offer support and destroys it by telling Syd dying is part of life and she’d be a better doctor if she stayed more remote from her patients and, oh, by the way, “can I come over tonight”? He is surprised when she says “not tonight.” Brenda tells Syd to get away for a few days and suggests Syd change her mind and go back to her small hometown for her school reunion.
Disheartened by futile combat, appalled by the corruption of their South Vietnamese ally, and constantly endangered by the incompetence of their own company commander, the young men find a possible way out of the war. They are told that if they purposely lose a soccer game against a South Vietnamese team, they can spend the rest of their tour playing exhibition games behind the lines.
The lives of three women have a commonality: adoption. Karen is a physical therapist who regrets that, as a teenager, she gave up her daughter for adoption. Elizabeth was an adopted child and is now a successful lawyer, but her personal life lacks warmth. Lucy and her husband have failed to conceive and now hope to adopt a baby to make their family complete.
Cosmo Vittelli, the proprietor of a sleazy, low-rent Hollywood cabaret, has a real affection for the women who strip in his peepshows and the staff who keep up his dingy establishment. He also has a major gambling problem that has gotten him in trouble before. When Cosmo loses big-time at an underground casino run by mobster Mort, he isn’t able to pay up. Mort then offers Cosmo the chance to pay back his debt by knocking off a pesky, Mafia-protected bookie.