The film is a lyrical exploration of a particular family situation and the human relationships within it. Devoid of any moral judgment, the eye of the director studies the boundaries of human behaviour and explores how far an individual can go, driven by love and the spirit of survival. Andrea Pallaoro was born in Trento but at the age of 17 moved to California to study filmmaking. His short film Wunderkammer was presented at the Sundance Film Festival. This year he brings his first feature-length film to the Orizzonti section.

A dark fairy tale about a gang of five children trying to survive the horrific violence of the cartels and the ghosts created every day by the drug war.

Music legend Diana Ross stars with singer Brandy in this 1999 American made-for-television musical drama film. It tells the story of a mother driven to reach the heights of superstardom at the cost of abandoning her only child. In its review, Variety wryly noted “the message seems to be that no maternal crisis is so complex that it cannot be mitigated by the performance of a track from one’s latest CD”

1974. Amidst power cuts, strikes and boot-boy aggro on the football terraces, Joe McCain is bored of a life that’s going nowhere. Enter hair-dresser Jane: blonde, beautiful, and moving to the beat of a whole new world of sound, movement and all-nighter dancing at The Wigan Casino – the home of Northern Soul. Swept along on this tide of pulsating dance and lust, Joe becomes embroiled in the darker side of soul scene that will put his friendship to the test.

Demonic gang-leader Alex goes on the spree of rape, mugging and murder with his pack of “droogs”. But he’s a boy who also likes Beethoven’s Ninth and a bit of “the old in-out, in-out”. He later finds himself at the mercy of the state and its brainwashing experiment designed to take violence off the streets.

John Whitmore wakes to find his wife, Anne, has disappeared from their bed overnight and a recorded ransom message now remains in her place.

Bound by a shared destiny, a bright, optimistic teen bursting with scientific curiosity and a former boy-genius inventor jaded by disillusionment embark on a danger-filled mission to unearth the secrets of an enigmatic place somewhere in time and space that exists in their collective memory as “Tomorrowland.”

In the mid-nineteenth century, in a small Venezuelan village, Father Giovanni and a clerk write the story of a supernatural case that they have witnessed, is the story of a mysterious specter, which the people of the town have baptized as “El Silbón”. In the current age, we know a family made up of Gabriel and Mayra, Ana’s parents. Gabriel suspects that his daughter is possessed by the devil since she is trying to kill him. Gabriel asks the priest of his parish for advice, which is the same one Father Giovanni wrote about the Silbón over a hundred years ago.

This is a tale of how the angel of life was confronted by the angel of death. Set in Auschwitz Birkenau, 1944.

He’s one of the hardest working filmmakers in the genre business…….So what’s HATCHET man Adam Green been up to this past year apart from working on his sit-com ‘Holliston’, writing KILLER PIZZA and prepping EXORCISM ON CROOKED LAKE? The answer is this documentary starting out exploring genre-based monster art and then taking an odd turn into the blurring of fantasy and reality. Because halfway through producing this treatise with cinematographer Will Barratt at his L.A. ArieScope Pictures offices, they are contacted by former policeman William Dekker who claims he can prove that monsters are indeed real. That they live in world just below our own named The Marrow and he knows where one of the entrances to this dark hidden universe is. Green of course is intrigued and so the monster hunting expedition begins… to become something else far more frightening than he ever imagined.

Aging samurai Hanshiro Tsugumo arrives at the home of Kageyu Saito and asks to commit a ritual suicide on the property, which Saito thinks is a ploy to gain pity and a job. Saito tells Tsugumo of another samurai, Motome Chijiiwa, who threatened suicide as a stratagem, only to be forced to follow through on the task. When Tsugumo reveals that Chijiiwa was his son-in-law, the disclosure sets off a fierce conflict.

Jobless sportswriter Eddie Willis is hired by corrupt fight promoter Nick Benko to promote his current protégé, an unknown Argentinian boxer named Toro Moreno. Although Moreno is a hulking giant, his chances for success are hampered by a powder-puff punch and a glass jaw. Exploiting Willis’ reputation for integrity and standing in the boxing community, Benko arranges a series of fixed fights that propel the unsophisticated Moreno to #1 contender for the championship. The reigning champ, the sadistic Buddy Brannen, harbors resentment at the publicity Toro has been receiving and vows to viciously punish him in the ring. Eddie must now decide whether or not to tell the naive Toro the truth.