In the wake of their friends’ marriages and eventual offspring, longtime pals Julie and Jason decide to have a child together without becoming a couple. By becoming “time-share” parents, they reason, they can experience the joys of parenthood without significantly curbing their personal freedom. However, when Julie and Jason both become involved with others, they discover that they secretly harbor romantic feelings for each other.

In the vein of MEET THE PARENTS and GUESS WHO’S COMING TO DINNER, ANITA HO follows down-on-his-luck Harry Ho, who finally decides to propose to his girlfriend, Anita, on her 30th birthday. But when Anita decides to spend her birthday in Las Vegas with her entire family – who has never met Harry – the fireworks begin! Unbeknownst to the young couple, Anita’s traditional Chinese parents have a nice Chinese doctor in mind for Anita, and they don’t approve of Harry, an unpaid Korean writer.

Three degenerates battle the demons of grief in a fantasy-world they’ve built around themselves.

Dagmar works at a gas station struggling to pay her debts. Lippo is fired by his chef swearing revenge. Karl and his weird friend Rizzo find a bag filled with money which lead them to rash actions. Three car crashes. Three days. Three stories.

A grieving father in a downward spiral stumbles across a box of his recently deceased son’s demo tapes and lyrics. Shocked by the discovery of this unknown talent, he forms a band in the hope of finding some catharsis.

In 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camerawork was awarded for Powell and Pressburger’s Black Narcissus. Beyond John Huston’s The African Queen and King Vidor’s War and Peace, the films of the British-Hungarian creative duo (The Red Shoes and A Matter of Life and Death too) guaranteed immortality for the renowned cameraman whose career spanned seventy years.

A small town band makes it big, but loses track of their roots, as they get caught up into the big-time machinations of the music biz. Now, they must thwart a plot to destroy their home town. Built around the music of the beatles, this musical uses some big name groups like Peter Frampton and Aerosmith.

THE KIDS MENU is a feature documentary from the team that brought you “Fat, Sick and Nearly Dead.” As filmmaker Joe Cross spent time traveling the world with his previous two films, he met thousands of people and one issue that came up again and again was what to do about the growing childhood obesity problem. In THE KIDS MENU, Joe meets with experts, parents, teachers and kids, coming to the realization that childhood obesity isn’t the real issue, but rather a symptom of a bigger problem. The lack of knowledge of what healthy foods are. Lack of access to healthy and affordable options. And the influence of negative role models, whether a parent, teacher or even a celebrity. All of this together seems to be a lot to overcome, but when empowered, kids often make the surprising choice of the healthier path.

This probing documentary tackles the cryptid creature Bigfoot. It delves into the history, sightings and theories surrounding the beast. Is it real? What is the evidence? What could it be? All the answers to these exciting questions will be revealed.

Caleb Peterson has it all-a great job, plenty of money, and a fine fiancée in former model Paisley Terrell. They’re all set to get married just as soon as she signs a prenuptial agreement, but there’s just one problem…”Paisley don’t do pre-nups!” As war wages and trusts start to crumble, it turns into a battle of the sexes.

Americans consume 75% of the world’s prescription drugs. After losing his own brother to the growing epidemic of prescription drug abuse, documentarian Chris Bell sets out to demystify this insidious addiction. Bell’s examination into the motives of big pharma and doctors in this ever-growing market leads him to meet with experts on the nature of addiction, survivors with first-hand accounts of their struggle, and whistleblowers who testify to the dollar-driven aims of pharmaceutical corporations. Ultimately his investigation will point back to where it all began: his own front door.

After a prank blows up a studious high school senior’s life, he shares a list of certain things he wishes he’d done differently — and maybe still can.