Five years ago, a Korean opera singer started a children’s choir in a slum in India. Frustrated by the lack of support from the parents of his choir children, he decides to train the parents to sing for a joint concert. But it may be the toughest challenge of his life.
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On point and larger than life, rapper and standup comedic Chingo Bling gathers his funniest friends for a rambunctious take on Tex Mex culture.
A family that survives the genocide in Indonesia confronts the men who killed one of their brothers.
A panoptic film on water, energy and climate, SunGanges (SuryaGanga) is a wild and intense ride three filmmakers take across the vast Indian landscape in an attempt to connect the dots between vanishing rivers, massive energy projects and the quiet rise of renewable energy.
Severin Films chief David Gregory and House Of Psychotic Women author Kier-La Janisse query a global roster of more than 60 horror writers, directors and scholars that include Eli Roth, Joe Dante, Mark Hartley, Mick Garris, Ernest Dickerson, Joko Anwar, Ramsey Campbell, David DeCoteau, Kim Newman, Jovanka Vuckovic, Luigi Cozzi, Tom Savini, Jenn Wexler, Larry Fessenden, Richard Stanley, Brian Trenchard-Smith, Brian Yuzna, Gary Sherman, Rebekah McKendry and Peter Strickland in a candid discussion of the very best portmanteaus in fright film/TV history. The film leads us from the very first examples of the anthology film in early cinema, right up to the present day – without forgetting of course the endearing impact that the likes of Vincent Price and Peter Cushing had in creating some of the most memorable classic films ever made.
A haunting, visceral exploration of addiction and one contemporary man’s fearless and determined quest for healing and redemption through the ancient wisdom of the Bwiti and their ‘magical’ plant, Iboga. For those seeking a path out of darkness, this film is not to be missed.
Granted unprecedented access, Berlinger captures renowned life and business strategist Tony Robbins behind the scenes of his mega seminar Date with Destiny, pulling back the curtain on this life-altering and controversial event, the zealous participants and the man himself.
Follows childhood friends turned professional comedians, Nick Prueher and Joe Pickett, the founders of the Found Footage Festival. When Nick and Joe book their gag strongman routine on unsuspecting morning news shows, their pranks go viral and land them in federal court with a vengeful media conglomerate. The stress of the lawsuit and pressure to continue their pranks threatens their livelihood and tests their lifelong friendship.
A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman’s fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.
Based on his book, Michael Waltrip recounts the 2001 Daytona 500 and the lighting-fast transition from elation to mourning – as he took the checkered flag to win while Dale Earnhardt, his friend and team owner, crashed in Turn 4 behind him. Earnhardt’s death and the events of the race had a profound effect on Waltrip, shown in this documentary.
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Beauty products are a multi-billion-dollar industry. Despite public attention, companies continue to get away with harmful practices that leave the average consumer wondering which brand can be trusted. Toxic Beauty’s case in point is the landmark class action lawsuit brought by female cancer survivors against Johnson & Johnson, in the face of the company’s insistence that their baby talc products are safe.
During the “Made in Germany” tour, Swedish director Jonas Åkerlund filmed two acclaimed Rammstein concerts in March 2012 – each for an audience of 17,000 at the Bercy Arena in Paris. In the resulting film (with 16 songs from the entire repertoire), Jonas Åkerlund takes a radically new approach to capturing the emotion and thrill of Rammstein’s live performance. Jonas Åkerlund: “We shot two nights in Paris, and we had 30 cameras, so that gives you 60 angles, plus we shot a dress rehearsal for close-ups. That gives you a massive amount of footage. This is a whole Rammstein-show, and I take the footage and cut it with the same precision that I would a 3-4 minute music video. Even with a big crew of editors, it took us over a year to nail down the edit. Looking at it now – that is the strength of this project. It really brings the show alive and shows what Rammstein is all about.”