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Wrath of the crows is very gory and brutal, but tied by a strong concept and the whole story is focused on the characters’ development. So there’s not only splatter sequences, but also atmospheric moments, a few dream-like sequences and a final twist that will shock you all.
When a mafia accountant is taken hostage on his beat, a police officer – wracked by guilt from a prior stint as a negotiator – must negotiate the standoff, even as his own family is held captive by the mob.
Enticed by a promise of inheritance, a young woman returns to the village of her birth. Unbeknownst to her, the villagers hide a sinister plan — one that may require her very own death.
A father and daughter are caught in a parallel universe where the great queens Snow White, Cinderella, and Little Red Riding Hood have had their kingdoms fragmented by warring trolls, giants and goblins.
Alex McPherson (Sweeney) returns to the small town in Pennsylvania where she spent her summers as a girl to record the next episode of her true crime podcast, about the disappearance of a childhood friend 20 years prior. However, after teaming up with the local newspaper editor (Ayres), who reluctantly agrees to help her retrace the girl’s last steps, Alex not only uncovers the shocking truth behind the girl’s disappearance, but also a decades-old murder and its cover-up.
The guests of the Station Hotel have assembled to play a game of cards. The loser will sleep in room 207, a room rumored to be haunted. It hasn’t been slept in for 20 years. As their lives tangle in a paranoid deadlock, the only escape becomes murder.
A woman named Amanda lies stricken, far from home. A young boy named David questions her, trying to make her remember. She’s not his mother, he’s not her son. As her time is running out, he helps her unravel a powerful, haunting story of obsessive jealousy, an invisible danger, and the power of a mother’s love for her child.