Two souls lost in a world of modernisation find each other in a moment’s need for clarity and appreciation.
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The comedy of the year. This wannabe magical romance-drama is one of the most illogical films ever and the actors, if not director Kam Kwok-Leung, may be aware of it. Featuring CGI tears and paintings of corn-eating monkeys. The highlight: Chang Chen pretending to be Korean.
A waitress from Chicago falls in love with a man from rural Minnesota and marries him, with the intent of living a better life – but life on the farm has its own challenges.
Long-term couple Owen and Hallie are breaking up—or maybe not?—and just as their relationship reaches a turning point, Matt and Willa embark on a romance of their own.
On a one-day business trip to New York, a young German business executive falls in love with a singer-songwriter who exposes him to her Brooklyn world and emotions he’s never experienced before.
A young widow still grieving over the death of her husband finds herself being comforted by a local housepainter.
When their marriage finally goes “phffft!”, Nina and Robert get a divorce – only to discover that, like it or not, some people are just meant to be together!
Captures a generational moment – young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved. Six New Yorkers juggle love, friendship, and the keenly challenging specter of adulthood. Sam Wexler is a struggling writer who’s having a particularly bad day. When a young boy gets separated from his family on the subway, Sam makes the questionable decision to bring the child back to his apartment and thus begins a rewarding, yet complicated, friendship. Sam’s life revolves around his friends — Annie, whose self-image keeps her from commitment; Charlie and Mary Catherine, a couple whose possible move to Los Angeles tests their relationship; and Mississippi, a cabaret singer who catches Sam’s eye.
Francis is a young gay man, Marie is a young straight woman and the two of them are best friends — until the day the gorgeous Nicolas walks into a Montreal coffee shop. The two friends, instantly and equally infatuated, compete for Nicolas’ indeterminate affections, a conflict that climaxes when the trio visit the vacation home of Nicolas’ mother. The frothy comedy unfolds through narrative, fantasy sequences and confessional monologues.
The story of a young man who must confront his own fears about love as well as his relationships with family and friends.
Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia’s fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.
A swirling, impressionistic portrait of an artist who regretted nothing, writer-director Olivier Dahan’s La Vie en Rose stars Marion Cotillard in a blazing performance as the legendary French icon Edith Piaf. From the mean streets of the Belleville district of Paris to the dazzling limelight of New York’s most famous concert halls, Piaf’s life was a constant battle to sing and survive, to live and love. Raised in her grandmother’s brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee (Gerard Depardieu), who persuaded her to sing despite her extreme nervousness. Piaf became one of France’s immortal icons, her voice one of the indelible signatures of the 20th Century.
Mandy is a mother, a writer, a nihilist. Mandy is a modern woman in a crisis. Raising a son in the midst of a female revolution, mining the pain of her parents’ separation and professionally writing about a love that no longer exists, she falls upon a troubled man, Pete, who’s searching for a sense of worth, belonging and ‘restored’ Male identity.