Spenser — an ex-cop better known for making trouble than solving it — just got out of prison and is leaving Boston for good. But first he gets roped into helping his old boxing coach and mentor Henry, with a promising amateur. That’s Hawk, a brash, no-nonsense MMA fighter convinced he’ll be a tougher opponent than Spenser ever was. When two of Spenser’s former colleagues turn up murdered, he recruits Hawk and his foul-mouthed ex-girlfriend Cissy, to help him investigate and bring the culprits to justice.
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Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford Mustang, are in the bag. As Pace prepares to rip-off the fastback, codenamed “Eleanor”, in Long Beach, he is unaware that his boss has tipped off the police after a business dispute.
Antoine and Laurent, old friends, spend their vacation in Corsica with their respective daughters: seventeen-year-old Louna and eighteen-year-old Marie. One evening at the beach, Louna seduces Laurent. Louna is in love, but for Laurent it was nothing more than a momentary distraction. Without revealing her lover’s name, Louna confides in her father, who tries by any means to discover who his daughter’s lover is. How long will the secret be able to be kept hidden?
Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
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After buying the perfect suburban home, a couple encounter a stranger who claims to be the real owner of the house. They soon find themselves in a living nightmare as they try to unravel the secrets and lies.
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