Two worlds collide. Ray Martin is in a bit of a pickle. His father’s (George Wendt) chauffeur business is failing financially and is on the verge of collapsing. Ray must find a way to save the company. at the same time – Gervase Peterson’s career in Hollywood is hanging on by a thread and he needs to salvage whatever is left of his career. Through a chance meeting, Ray wrangles together an eclectic bunch of strangers and friends to get Gervase’s career back on track and save his father from bankruptcy.
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Young at heart graduate student Becca strikes up an unlikely friendship with Emily, a quiet girl who recently lost her mother. With every passing play date chaperoned by Emily’s father, Becca helps Emily come out of her shell and cope with her loss, and Emily teaches Becca to take on adult responsibilities. When a romance develops between Becca and Nate, though, the two must learn to balance their new relationship with Nate’s responsibility to Emily, and with Becca’s responsibility to finish her education.
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When a tragic accident takes the life of her dog, Tara is forced to cancel her wedding. With a little help from above, their small town rallies together to make sure these two are able to have the wedding of their dreams.
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Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.
