After the death of his younger brother, a troubled 19-year-old street dancer from Los Angeles is able to bypass juvenile hall by enrolling in the historically black, Truth University in Atlanta, Georgia. But his efforts to get an education and woo the girl he likes are sidelined when he is courted by the top two campus fraternities, both of which want and need his fierce street-style dance moves to win the highly coveted national step show competition.
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After a botched heist, Eddie a murderous crime boss, hunts down the seductive thief Karen who failed him. In order to win back Eddie’s trust, Karen recruits her ex-lover and premier thief Jack to steal a cargo of rare precious gems. But when the job goes down, allegiances are betrayed and lines are crossed as Jack, Karen, and Eddie face off in a fateful showdown.
A famous writer is found hanged in his office. At first, all police investigations conclude that it was suicide, but when Samantha Kinsey, owner of Seller ‘Mystery Woman’ starts his own investigation, he discovers that there is chance that has been committed murder. The film is the first in a long series of American TV movies called” Mystery Woman”, in which Samantha Kinsey, the owner of a bookshop specializing in thrillers and suspense is involved in the resolution of real cases.
Things grow more and more desperate, and ridiculous, as three heroin addicts drive all over Los Angeles in search of what they need.
After getting fired from her job as a maid at a ritzy New York City hotel, Allie reluctantly accepts a temp gig as the governess to a young girl who is part of a powerful family in Europe that lives in an actual castle. After arriving, Allie learns the girl is named Princess Theodora and her father is Maximillion, the King of Winshire. The King informs Allie that the Princess has a tendency to terrorize authority figures, a predilection that has grown worse since her mother’s death. Yet governess and Princess wind up hitting it off while at the same time a spark forms between Allie and Max. However, Countess Celia is expecting to wed the King. Will Max take a stand for his feelings for Allie and make it truly a merry Christmas for all (or at least, most)?
The lives of three women have a commonality: adoption. Karen is a physical therapist who regrets that, as a teenager, she gave up her daughter for adoption. Elizabeth was an adopted child and is now a successful lawyer, but her personal life lacks warmth. Lucy and her husband have failed to conceive and now hope to adopt a baby to make their family complete.
With Christmas approaching in New York City, historian Jessica is hired to create an exhibition honoring the history of Christmas at The Plaza Hotel. When she is paired with Nick, a handsome decorator, they wind up enjoying a host of holiday traditions together and find themselves falling for each other.
In the suburbs of Tokyo some time ago, there lived a clumsy boy about 10 years old. There appeared in front of him named Sewashi, Nobita’s descendant of four generations later from the 22nd century, and Doraemon, a 22nd century cat-type caretaker robot who helps people with its secret gadgets. Sewashi claims that his family is suffering from the debts Nobita made even to his generation, so in order to change this disastrous future, he brought along Doraemon as Nobita’s caretaker to bring happiness to his future, although Doraemon is not happy about this. And so Sewashi installed an accomplishment program into Doraemon forcing him to take care of Nobita. Unless he makes Nobita happy, Doraemon can no longer go back to the 22nd century. This is how the life of Doraemon and Nobita begins. Will Doraemon succeed this mission and return to the 22nd century?
Leading up to Christmas, marketing executive, Lauren, is visited by the ghosts of four ex-boyfriends. She must learn to open her heart or risk losing her best friend, Nate.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live is and they know it. This shall not prevent the emergence of a great romance in the clinic.
