Silent as a painting, the movie shows us day-dreamer Hermie and his friends Oscy and Benjie spending the summer of ’42 on an US island with their parents – rather unaffected by WWII. While Oscy’s main worries are the when and how of getting laid, Hermie honestly falls in love with the older Dorothy, who’s married to an army pilot. When her husband returns to the front, Hermie shyly approaches her. Written by Bob Dawson
You May Also Like
Restored to former glory, a nostalgic cruise ship repeats a tragic past…
An unconventional woman, gains immense success in her professional life but things take a turn when she meets a guy, who wants to be a house husband.
A young lady who has grown up with her father being a radio DJ, becomes one herself. Falls in love and hosts a ‘Romantically Speaking’ show.
Unbridled comic Chris D’Elia reconsiders his approach to major life events like marriage, not having kids and buying pants for your friends.
Frank Tsigas is a middle-aged family man who can only see his life’s shortcomings. To distract him, his soft-spoken wife Laura offers a unique anniversary gift: she bets her ass that he can’t lose 50 pounds in three months…literally.
Julia Rogers (Lexi Giovagnoli) is an uptight, hardworking realty owner who has lost her Christmas spirit. She will have to spend five days at a Christmas Inn with her business competitor, Chad Everest (Travis Burns), in order to win over the badly needed listing of the Erickson Farmstead. While competing to win the listing, Julia and Chad discover that they have more in common than they thought.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs — and it’s absolutely impossible to contain.
Woody Allen meets Frances Ha in this new British drama by first-time feature director, poet, actor and publisher Greta Bellamacina. Greta also stars as Celeste, a young mother trying to carve out a career as a poet in modern-day London. Meanwhile, friend and neighbour Stella (played by co-writer Sadie Brown), dreams of being an actor but spends much of her time babysitting Celeste’s son. Part ode to the city, this is a skilfully observed tale of friendship and family with a refreshingly understated sense of humour.
A medicine woman – a giver of life – is asked to hide a secret which may protect one life but which will destroy another.
On the afternoon of August 3, 2013, 16-year-old Hannah Anderson was abducted after finishing cheerleading practice in a San Diego suburb. When the bodies of her mother and brother were found in the burned home of family friend James DiMaggio later that day, an AMBER Alert was issued, and a frantic multi-state manhunt for Hannah began. For a week she was kept prisoner by the increasingly unstable DiMaggio as they made their way across the state. One week later, the two were found in Idaho and DiMaggio was killed in a shootout with FBI agents, leaving Hannah as the sole survivor. As the dust settled, questions began to emerge about the nature of the relationship between Hannah and her kidnapper…and what really happened?
‘305’ is a mockumentary detailing the misadventures of five not-so-brave members of the Spartan army charged with guarding a seemingly ordinary goat path. But when their actions lead to the death of King Leonidas and his army of 300 men, the five must find a way to redeem themselves and save Sparta from invasion.
Set in a small village in North Vietnam, a tale of awakening which traces a growing love triangle between Nham, an earnest and responsible 17-year-old country boy; the charming Ngu, his lonely and naive sister-in-law with whom he works closely in the fields; and Quyen, a stylishly vivacious expatriate who has just returned from the city, curious about life in the village where she spent her childhood. While all three characters are too reticent to unleash their feelings, the romance turns on the realization that this web of emotions is largely symbolic. Nham represents for Quyen an innocence and a past that she can’t recapture, just as she represents for Nham an urbanity and future prospects that he may never attain; and caught between the two is the delicate Ngu, left in the most desolate postion of positions.