A day in Hollywood, 1972, with young people looking for the 24 hours that will change their lives. Zach will open that night for a British rocker at Whisky a Go-Go; he lives in a canyon and plays impromptu duets with a mysterious guitarist he doesn’t see. Tammy is a costume designer, open to quick sex with the various rockers she works with and loved from afar by Michael, a photographer recovering from a case of the clap. His good friend is Felix, a morose, alcoholic songwriter. On hand for comic relief is Marty Shapiro, a fast-talking record producer. Getting ready for the gig at the club, Zach’s performance, and the early-morning aftermath comprise the film.
You May Also Like
In a future where water is scarce, a farmer defends his land and hopes to rejuvenate his parched soil. However, his daughter’s boyfriend schemes to steal the land for himself.
Stan and Ollie are marooned on an atoll. This was their last film together.
When a young South Seas sailor falls overboard, the beautiful daughter of a Polynesian king dives in and saves his life. Thus begins the romance of Johnny and Luana. Though Luana is promised to another man, Johnny whisks her away, and for a brief time the lovers live very happily together. But, when a local volcano threatens their lives, Luana knows that she must sacrifice herself to the volcanic gods in order to save her island.
As the Iranian revolution reaches a boiling point, a CIA ‘exfiltration’ specialist concocts a risky plan to free six Americans who have found shelter at the home of the Canadian ambassador.
Near the end of the Korean War, a platoon of U.S. soldiers is captured by communists and brainwashed. Following the war, the platoon is returned home, and Sergeant Raymond Shaw is lauded as a hero by the rest of his platoon. However, the platoon commander, Captain Bennett Marco, finds himself plagued by strange nightmares and, together with fellow soldier Allen Melvin, races to uncover a terrible plot.
Bhanumathi (Sai Pallavi) is a village belle who has some ideologies. She doesn’t want to go away from her village after the marriage. She says she will only marry a person who is okay with it. Her sister gets married to an NRI. His brother is Varun (Varun Tej), a medico who doesn’t like to stay in India. The couple fall in love but they cannot be together for obvious reasons. Egos comes to the fore and the gap widens.
After being denied an American visa, a Bolivian professor becomes involved in a web of criminal activities, holds-up the American consulate and falls for a beautiful prostitute from the Bolivian lowlands.
Sara and Brian live an idyllic life with their young son and daughter. But their family is rocked by sudden, heartbreaking news that forces them to make a difficult and unorthodox choice in order to save their baby girl’s life. The parents’ desperate decision raises both ethical and moral questions and rips away at the foundation of their relationship. Their actions ultimately set off a court case that threatens to tear the family apart, while revealing surprising truths that challenge everyone’s perceptions of love and loyalty and give new meaning to the definition of healing.
Lonely college freshman Alex has closed himself off from his peers, who all appear to have this whole “college thing” figured out. But everything changes one night when Alex takes a leap and attends a party at Shithouse – a legendary party fraternity – where he forges a strong connection with Maggie.
Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.