Parikka, the actor once called the Funniest Man in Finland, and his troupe are about to be executed for the atrocities committed during the Civil War in Finland. Jaeger Lieutenant Nyborg, an admirer of Parikka, suspects a definite miscarriage of justice. He wants to save the actors. The forthcoming visit of the German General von der Goltz to the prison island provides him with a suitable opportunity. Nyborg suggests that the actors prepare a comical performance for the visitor and not be shot. Instead, they will be given a new trial. Preparing a comedy in the horrible circumstances, in the midst of hunger and death, seems quite an overwhelming task. Only a handful of real actors are still alive, the rest of the troupe consists of stagehands. Parikka has to use all his inventive skills to be able to produce something funny.
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When the local mafia shows up to burn down her restaurant, Ana, a chef with a meticulous past, defends her turf and proves her knife skills both in and out of the kitchen.
Welcome to 2020: The European Union has collapsed following the fourth Gulf War and massive barricades keep illegal immigrants out of cities that are barely functioning. In the middle of this highly volatile environment is the family of Walter Kuper, an energy conglomerate executive. Walter’s daughter, Cecilia, has joined the Black Storm terrorist group. Her sister Laura must choose between motherhood and the man she loves; their brother Philip has been called into fight for Germany in a hopeless war to secure the last remaining oil fields. Starring leading actors Daniel Brühl, Johanna Wokalek and Jürgen Vogel, “The Days to Come” asks provocative questions about the current state of things as it depicts personal and political realities in a scarily believable near–future.
Ana is a young woman who has just been given a scholarship to study in a foreign country. She decides to celebrate with their friends out of the city. On the road, after helping an injured woman, they are kidnapped by a weird family.
An abandoned car is discovered near a camping ground and inside it is the body of an identified middle-aged man and a dog who seems to have died months later. This is the story of the life of the loving and faithful dog and his owner told from the dog’s point of view. City hall employee Kyousuke Okutsu is assigned to uncover the man’s identity for a proper funeral. As he investigates the situation, he remembers his late family and his own dog’s unfailing loyalty.
Maarit Lalli film a woman who knew how to say yes, and the man who could not say no. Ricky Kalin (Antti Luusuaniemi) is a real estate agent who loves women. Annika Lahti (Pihla Viitala) is a private, not so very good one at that. Annika specializes in the detection of complex relationships, to put it nicely. Ricky is a great salesman, who has two calendars – Work calendar and the calendar for women. An assignment Annika collides with the real estate agent Stand. The apartment does not display unnecessary procrastination: Annika just wants to have sex without feelings. Ricky, this is just fine. Relationship with works by mutual cooperation and assistance agreement – until it becomes famous for the sixth time. “There is hardly anything we love to look at, either.”
Shakespeare’s comedy about two couples in love with the wrong partners, and how they are finally brought together rightly, thanks in part to the bungling work of Puck. It is completely in the language of the Bard, with Pfeiffer as the Fairy Queen and Kline as the one turned into her evening’s lover with donkey ears.
Sequel to “Three Steps Above Heaven”. The sexy Gin (Clara Lago) is the new love of Hache (Mario Casas), but this can not forget his former girlfriend (Maria Valverde), so the love triangle is inevitable.
The story of a drifter named Paul who arrives in a small town seeking revenge on the thugs who murdered his friend. Sisters Mary Anne and Ellen, who run the town’s hotel, help Paul in his quest for vengeance.
