The 24th tells the incredibly powerful and timely true story of the all-black Twenty-Fourth United States Infantry Regiment, and the Houston Riot of 1917. The Houston Riot was a mutiny by 156 African American soldiers in response to the brutal violence and abuse at the hands of Houston police officers. The riot, which lasted two hours, led to the death of nine civilians, four policemen and two soldiers and resulted in the largest murder trial in history, which sentenced a total of nineteen men to execution, and forty-one men to life sentences.
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Twisted, apocalyptic satire, THIS IS NOT A MOVIE envisions the end of the world through the bi-polar mind of a strung-out pop-culture addict. Starring Edward Furlong and Peter Coyote, with a jagged, atmospheric score from Slash.
In the year after graduating college, Izzy struggles to navigate the seemingly incessant failures of adulthood, the reality of a substandard dating pool and a debilitating fear of top-sheets, all in between X-Files marathons. Comically unsuccessful in love over the course the year, including five half-hearted relationships with astoundingly self-centered men, Izzy resigns herself to the support of her mother and sister, who are struggling with their own relationship problems. Seeing herself in them, Izzy gradually gains the confidence to be honest and vulnerable.
After their parents divorce, one daughter lives with her mother in England while the other lives with her father in Portugal. After the untimely death of her mother, the one daughter stands to inherit a large sum of money and also a number of documents containing information that will incriminate her father, who was a crooked judge. While her father wants the documents, her sister wants the money and they will each stop at nothing, even murder, to get what they want.
Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).