As each member of the Holloway family work to solve their problems, they prepare for Mopelola’s party, clearly to become the year’s biggest society event. But the buzz about the party compels the Asset Management Corporation to foreclose on ST. IVES, the family business, after the death of his God Father Baba Eko who had been protecting Akin Holloway. He must then fight a bigger battle – getting Mopelola to cancel her party and maintain a low profile to get them off the radar, while he tries to save the business.
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In 1956, American philosophy student Michael Murphy is on his way to an ashram in India when he stops off in Scotland for one last game of golf. He meets a spirited pro who teaches him about golf and life, and how the two are beautifully intertwined.
In the winter of 1820, the New England whaling ship Essex was assaulted by something no one could believe: a whale of mammoth size and will, and an almost human sense of vengeance. The real-life maritime disaster would inspire Herman Melville’s Moby Dick. But that told only half the story. “Heart of the Sea” reveals the encounter’s harrowing aftermath, as the ship’s surviving crew is pushed to their limits and forced to do the unthinkable to stay alive. Braving storms, starvation, panic and despair, the men will call into question their deepest beliefs, from the value of their lives to the morality of their trade, as their captain searches for direction on the open sea and his first mate still seeks to bring the great whale down.
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
Stephen Frears directs this biographical drama focusing on controversial British playwright Joe Orton, revealed in flashback after his murder by lover Kenneth Halliwell. Born in 1933 in Leicester, in the English Midlands, John ‘Joe’ Orton moves to London in 1951, to study at RADA, and enjoys an openly gay relationship with Halliwell in their famous Islington flat in the 1960s. However, when Orton achieves spectacular success with such plays as ‘What the Butler Saw’ and ‘Loot’, Halliwell begins to feel alienated and the pair’s future looks increasingly uncertain.
“Majo” Tonorio, a.k.a. Filly Brown, is a raw, young Los Angeles hip-hop artist who spits from the heart. When a sleazy record producer offers her a crack at rap stardom, Majo faces some daunting choices. With an incarcerated mother, a record contract could be the ticket out for her struggling family. But taking the deal means selling out her talent and the true friends who helped her to the cusp of success.
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