After being granted a questionable transfer that will keep him stateside as his National Guard unit deploys for Iraq, Lieutenant Danny Sefton becomes embroiled in a last minute AWOL attempt by one of his soldiers — forcing him to choose between his loyalties to the fleeing soldier, his unit and his fiancé.

Based on the true story of a successful couple, Maggie and Aaron who are preparing for the arrival of their first child.

College student Mutou Ookawa catches a glimpse of Ametani Yuiko, his co-worker from a former part-time job and falls immediately in love. Summoning up his courage, he eventually confesses his feelings to her and she responds “…but I’m a fujoshi.” Mutou not having the slight clue what “fujoshi” means, immediately responds “That’s OK!”

Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.

A pool shark takes the ultimate gamble when she kidnaps her own son and flees her ex-husband.

Lucas devotes his life to church work after a tragedy. When an exorcism case gets out of control, he has to figure out who is under the Devil’s influence.

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Soon after his insufferably arrogant father wins the Nobel Prize for chemistry, Barkley Michaelson is kidnapped by Thaddeus James, a young genius who claims to be Barkley’s illegitimate half-brother. Motivated not so much by money as revenge, Thaddeus tries to convince Barkley to help him carry out a multimillion-dollar extortion plot against their patriarch.

This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles. A strong-willed peasant girl (Nastassja Kinski, in a gorgeous breakthrough) is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge, which Polanski unfolds with deliberation and finesse. With its earthy visual textures, achieved by two world-class cinematographers—Geoffrey Unsworth (Cabaret) and Ghislain Cloquet (Au hasard Balthazar)—Tess is a work of great pastoral beauty as well as vivid storytelling.

After defeating France and imprisoning Napoleon on Elba, ending two decades of war, Europe is shocked to find Napoleon has escaped and has caused the French Army to defect from the King back to him. The best of the British generals, the Duke of Wellington, beat Napolean’s best generals in Spain and Portugal, but now must beat Napoleon himself with an Anglo Allied army.

After 29-year-old Adaline recovers from a nearly lethal accident, she inexplicably stops growing older. As the years stretch on and on, Adaline keeps her secret to herself until she meets a man who changes her life.

When the daughter of veteran 911 call center operator Pamela, and her estranged husband Jeremy, a Senior Police Officer, is kidnapped and held hostage, they are left desperate, with no choice but to follow the kidnapper’s rules: send messages through dispatch for all police and fire units to scatter to remote locations throughout the city where they are met with chaos. Not knowing who or why, the one thing they do know is if they fail to discreetly collaborate with one another – they will be solely responsible for facilitating the biggest crime in the city’s history. Now they must race against the clock to make the choice of their lives – save the city – or save their daughter.