Yoram, a 50-year-old veterinarian living in Tel-Aviv is forced to re-examine his relationship with his adolescent daughter Roni, after she wishes to end her life. He decides to take her on a journey to visit her mother’s family, a process of self and mutual discovery in a primordial desert land enveloping the Dead Sea.
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Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).
‘Human Voice’ is based on Jean Cocteau’s iconic one woman play of the same name. Set against the backdrop of Naples, Italy, in 1950, this romantic drama tells the story of Angela, (played by Sophia Loren), a woman in the twilight of her years who rides the emotional roller coaster of her last telephone conversation with the man she loves as he is leaving her for another woman.
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Burt Lancaster plays Steve Thompson, a man who seals his dark fate when he returns to Los Angeles to find his ex-wife Anna Dundee (Yvonne DeCarlo) eager to rekindle their love against all better judgement. She encourages their affair but then quickly marries mobster Slim Dundee (Dan Duryea). To deflect suspicion of the affair, Steve Thompson leads Dundee into a daylight armored-truck robbery.
Cruz is a grandma who’s spent years, decades actually, without having an orgasm. Religiously devout, it wasn’t something that she considered particularly important, or that she’d even given much thought to… until, one day, while surfing the internet, she again starts to feel those desires and sensations she had believed were long gone. Now she is faced with a dilemma: how can she balance her religious beliefs with this new sexual and sensual awakening that has suddenly come back into her life?
A small-town beauty queen and an unlicensed mortician set out across the Texas plains on a journey of self-discovery.
Since losing her husband, Sophie has struggled to manage grief, a full-time job, and parenting her devastated daughter, but when a former physicist reveals a secret time-bending machine, Sophie will be faced with an impossible choice.
Toni, a tomboyish boxer, lands a spot on an after-school drill team in the West End community of Cincinnati. She eagerly absorbs routines, masters drills, and even pierces her own ears to fit in. It’s the joy of her first friendships and her discovery of dance. Shortly after Toni joins the team, most of the girls on the team suffer from episodes of fainting, swooning, and shaking in a seemingly uncontrollable catharsis. Nobody can explain the mysterious outbreak. These fits soon transform into a rite of passage as the trauma draws the other girls closer together. Caught between her need for control and her desire for acceptance, Toni must decide how far she will go to embody her new ideals.
The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)
After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past.
