A man refuses all assistance from his daughter as he ages. As he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
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A hot tip on the deadly drug Fentanyl that’s burning through the streets of Atlanta, catapults burned-out reporter Brian Sanderson into the dim, dank underbelly of Atlanta. Estranged from his family, and in the midst of his investigation, Brian learns of his son’s murder. As he searches for answers and the son he never knew, questions tear at the fabric of his life, revealing a story of soul-shaking proportions. From the elite power personalities, to the forgotten street people, Brian is led deeper and deeper into a story that will shake the city to its core. Ultimately, Brian makes a decision with eternal consequences as he comes face to face with two men he never knew: himself, and the man who was his child.
Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.
“Entertaining Angels” is an interesting title for this movie about the 1920’s and 30’s social activist, Dorothy Day, for it can be regarded that what this woman did, sometimes single-handedly, always controversially, in her fight against social injustice would, indeed, be wonderful entertainment for angels… or it could mean that her work was for the benefit of the ‘angels’ at the bottom of the social ladder for whom she fought daily against those who would hold them down… this included her work as a suffregette. However it is meant, this film captures much of the real-life drama that took place on big city streets, and of the very personal trials which eventually led her to convert to roman Catholicism, and a dedication to helping the poor.
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