Four misfit teenagers become unlikely allies when their summer camp experience is cut short by an alien invasion. In this epic adventure film, the youths must overcome their fears, tackle insecurities, and learn to work as a team while they attempt to save the world.

Two hapless frieght handlers find themselves encountering Dracula, the Frankenstein Monster and the Wolf Man.

Martinón is the last inhabitant of Auzal, a village in the mountains where he lives in communion with nature. He only goes down to the valleys twice a year to trade and to buy provisions. But one day he’s convinced to take a wife, a decision intended to soften his calloused soul—but in some ways his real struggle is only just beginning.

Adolfo, a thirty something security guard, is going through a bad patch. Not only his lifetime girlfriend has just to finished with him to be a guy with no ambition but, moreover, he becomes the target of a series of thugs led by Vázquez, a dangerous criminal who has just escaped from jail. Also he discovers that his father has a double identity. He is not a farmer engaged in the production of cold meat – as Adolfo has believed all his life, but Anacleto, a secret agent who is a bit down and the man who locked Vázquez up in jail thirty years ago. Adolfo will have to leave his comfort zone and work with his father, the person that Adolfo get on worse with in the world to survive the revenge of Vazquez and while, between shootouts and chases, trying to get his girlfriend back.

A newly married couple’s life is shaken by the arrival of a vengeful Pontianak, forcing them down a dark path of betrayal, witchcraft and murder.

Two sisters attempt to win over their terminally ill, difficult-to-please Aunt in hopes of becoming the beneficiaries of her wealthy estate, only to find the rest of their greedy family members have the same idea.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

When a new dad (Justin Bartha) has to return home to bury his estranged father, things take a turn for the complicated when the dead man’s final wish is to have his ashes scattered on the field of his favorite professional sports team.

José Luis has been jilted at the altar but everything has its bright side, and he goes on a honeymoon with his mother. On this trip, he discovers he doesn’t know his mother and he loves her.

Leslie Zevo is a fun-loving inventor who must save his late father’s toy factory from his evil uncle, Leland, a war-mongering general who rules the operation with an iron fist and builds weapons disguised as toys.

Vele can’t afford to buy the expensive medications for his father who has cancer. Desperate, he steals marijuana from some criminals, makes a cake with it and gives it to his father, hoping it will reduce his pain. His father’s health miraculously improves, but Vele is suddenly confronted by neighbors who demand the recipe for the “remedial” cake and by the criminals who want their drugs back.

Maggie Cooper thinks it would be really cool if her son Lloyd were gay. So cool, in fact, that she outs him to the entire school.