The film follows a man with an unwanted gift for healing who meets a teenager with cancer who helps him to find himself.
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In life, there’s silver, and there’s lead, says Rikki Ortega, as he moves to be king of the street in “Ánglio,” L.A.’s east side. Older brothers and a brother-in-law are in his way. While they think they are driving out the Rojas, a local gang that runs the meth trade for bosses in Cabo San Lucas, Rikki is running an elaborate double-cross on his own family. He’s not happy just to run this fratricidal con, he also wants to cash in as much as he can of one hundred kilos of crystal meth that he stole from the Rojas (and the Mexicans), seduce the girlfriend of one of his victims, and stay ahead of a cop who was a childhood friend. Will he end up with the silver?
When Kim’s boyfriend breaks up with her instead of proposing, Kim’s mom takes her away to a Christmas Retreat to reconnect with the spirit of the holiday. There she meets newly unemployed Mark.
John McKenna is a spiritual being who is able to transform into bear, wolf or eagle. He lives in the forests of Tanglewood and has dedicated his life to protect them. One day a gang of evil lumberjacks led by Travis Thorne arrive Tanglewood to chop the forest down. McKenna cannot let this happen, and together with his new friends – Lords of the Tanglewood, a band of children who love to play in the forest – he battles against Thorne and his evil gang.
It’s the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, Deathecation, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste.
Ethan Wate just wants to get to know Lena Duchannes better, but unbeknownst to him, Lena has strange powers. As Lena’s 16th birthday approaches she might decide her fate, to be good or evil. A choice which will impact her relationship forever.
Written and directed by Windsor’s own Mike Stasko, Boys vs. Girls is loosely based on his experiences at a summer camp during the 90s. When camps around the country were shutting down every year and Camp Kitchikewana made the economically necessary move to turn co-ed, the result was a very real clash of the sexes. In the summer of 1990, the film sees Camp Kindlewood forced to go co-ed for the first time in its seventy-year existence. Camp Director Roger (Colin Mochrie) tries to keep the camp off the corporate chopping block, but after an awkward encounter between head counsellors Dale (Eric Osborne) and Amber (Rachel Dagenais), all bets are off. Rallying their sides in an attempt to win back their camp and gain dominance over what they feel is rightfully theirs, this battle of the sexes sets off a series of pranks, fueled by camp caretaker Coffee (Kevin McDonald), as the boys and girls fight for their summertime home.
Mike Nichols’ film from Edward Albee’s play brought new themes to the film industry. Elizabeth Taylor and Richard Burton have never been more brilliant together as they portray an experienced married couple who love each other yet verbally attack one another when they see how boring their naïve newlywed guests have made their night.
Kyle Fisher has one last night to celebrate life as a single man before marrying Laura, so he sets out to Vegas with four of his best buddies. But a drug and alcohol filled night on the town with a stripper who goes all the way, turns into a cold night in the desert with shovels when the stripper goes all the way into a body bag after dying in their bathroom. And that’s just the first of the bodies to pile up before Kyle can walk down the aisle…
The story concerns the funeral of one of three brothers in a family of gangsters that lived in New York in 1930s. Details of the past of the brothers and their families are shown through a series of flashbacks.
48 hours in the life of a burnt-out paramedic. Once called Father Frank for his efforts to rescue lives, Frank sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn’t help, yet cannot quit the job on his own.